In the modern-day film business, the reasoning behind why British actors of color are scoring so many prime roles is that, per the close-minded people trying to defend the situation, they’re better-trained thanks to England’s theater programs—not unlike Algernon Edwards’ fictional background.
While chatting with Greenwald, Holland kept it all the way real about why that’s, in his own words, "bullshyt." For one, Holland, who hails from Alabama, has worked steadily on the stage himself, even spending time alongside England’s thespians in that country's productions. "The fact is, every spring, all the drama schools around this country…graduate classes of actors, and within those classes are actors of color who are trained," says Holland. "They've done Shakespeare, they’ve done Ipsen, they've done Chekov. And the only thing that those actors are missing is, as Viola Davis said, opportunity. They might not get agents out of school because there are only so many slots those agents have to service those actors. So what happens to them? They’re still here. I happen to know a lot of them. And for anybody who's in the casting community having a hard time finding them, call me—I'll put you in touch."
Holland continued, “"I'm really, really passionate about that, because it’s divisive, number one, and it's also, I think, a real slap in the face to the people who have been out here working, and hustling, and knocking on doors, and doing plays downtown for $100 a week. It's really disrespectful."