Oppenheimer (Directed by Christopher nolan)

Soymuscle Mike

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Not showing Japanese victims was kind of the point, and I even feel would be grossly inappropriate for a (white) American to do.

Oppenheimer's, and the other Americans, reactions are the point - from flagwaving to throwing up to Oppie in the middle. Him being removed from the actual act and victims, is also the point.

We really didn't need a Japanese point of view, and when we do (and we do), it should be told by them and nobody else.
 

nieman

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Ahh damn, do you feel that it took away from the movie? I have not seen it yet but that could have been another layer to add.
For me, nope. Because it was only from 1 perspective. They didn't even show the Heisenberg perspective, even thoigh he was a driving force of a lot of the actions in the movie. So that there was no confusion when deciding which emotional character(s) to latch onto.

But I do think they missed an opportunity in not delving enough into the emotional state of Oppenheimer.
 

Ribbs

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Just... wow. I didn't realized how leaned in I was at the final trinity test until I looked over and saw an older Asian man doing the same thing.

"Nah nah, don't bomb Kyoto. Me and wifey like to vacay there." :jawalrus:

Brown nips huh Florence :steviej:
RDJ is the obvious lock for supporting but Jason Peters, Krumholtz, Josh Harnett, Casey Affleck (!), Benny Safdie all did an incredible job with their roles.
 

Ribbs

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So in some ways he's like Bryan Singer

Therefore, if Nolan could work with someone like Snyder
Don't piss me off breh

arnold-schwarzenegger-stare.gif
 

the elastic

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"Nah nah, don't bomb Kyoto. Me and wifey like to vacay there." :jawalrus:

Brown nips huh Florence :steviej:
RDJ is the obvious lock for supporting but Jason Peters, Krumholtz, Josh Harnett, Casey Affleck (!), Benny Safdie all did an incredible job with their roles.
Oh shyt, I knew I recognized Teller from somewhere :krs:
MV5BN2UzZjM1MzYtYzFkZS00NTdkLWIzN2UtNDkxNjVhYWFiMDI4XkEyXkFqcGdeQXVyODUzMzI1MDY@._V1_.jpg

:mjpls: :dead:
 

Legal

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For me, nope. Because it was only from 1 perspective. They didn't even show the Heisenberg perspective, even thoigh he was a driving force of a lot of the actions in the movie. So that there was no confusion when deciding which emotional character(s) to latch onto.

But I do think they missed an opportunity in not delving enough into the emotional state of Oppenheimer.

Yep, that's what I think is one of the movie's strengths. The movie is built around the viewer being presented the events almost exclusively from Oppenheimer's viewpoint, not just from a story standpoint, but even visually, to a point.
 

null

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able to craft a technically great film but is utterly terrible at directing action.

:ehh: bingo !!!

nolan seems unable to generate or build kinetic action / energy in his movies.

the opposite to rennie harlin, micheal bay or even a wheadon in this regard.

(russos also have this issue to a lesser degree).

tension in his movies seems somewhat sterile, more fabricated and less organic.

comparison: tension at end of unforgiven.

or ...

one is a nuke, one a worm .. both went as natural as possible but i know which one seems like an act of god and which one falls flatter.



i also felt that this time nolan's re-sequencing to facilitate simultaneous crescendo + reveal / twist in the third act worked to the detriment of the story somewhat, but i need to watch it again.

he might be over using it.

also i think matt damon was miscast.
 
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nieman

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:ehh: bingo !!!

nolan seems unable to generate or build kinetic action / energy in his movies.

the opposite to rennie harlin, micheal bay or even a wheadon in this regard.

(russos also have this issue to a lesser degree).

tension in his movies seems somewhat sterile, more fabricated and less organic.

comparison: tension at end of unforgiven.

or ...

one is a nuke, one a worm .. both went as natural as possible but i know which one seems like an act of god and which one falls flatter.



i also felt that this time nolan's re-sequencing to facilitate simultaneous crescendo + reveal / twist in the third act worked to the detriment of the story somewhat, but i need to watch it again.

he might be over using it.

also i think matt damon was miscast.

Interesting you say this. While watching, I kept thinking he and Hartnett should've switched roles.
 
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