are you talking about this film?Take away Hans Zimmer and Christopher Nolan is extremely average director
For me, nope. Because it was only from 1 perspective. They didn't even show the Heisenberg perspective, even thoigh he was a driving force of a lot of the actions in the movie. So that there was no confusion when deciding which emotional character(s) to latch onto.Ahh damn, do you feel that it took away from the movie? I have not seen it yet but that could have been another layer to add.
dope film
theater was packed
id be surprised if this goes empty handed at the oscars
So in some ways he's like Bryan Singer
Don't piss me off brehTherefore, if Nolan could work with someone like Snyder
Flower Moon will sweep.Murphy - Best actor
RDJ - Best supporting
Ton of technical awards
Unsure what other films are out for Best Film catergory
Flower Moon will sweep.
Oh shyt, I knew I recognized Teller from somewhere"Nah nah, don't bomb Kyoto. Me and wifey like to vacay there."
Brown nips huh Florence
RDJ is the obvious lock for supporting but Jason Peters, Krumholtz, Josh Harnett, Casey Affleck (!), Benny Safdie all did an incredible job with their roles.
Hans Zimmer didn’t work on this movieTake away Hans Zimmer and Christopher Nolan is extremely average director
For me, nope. Because it was only from 1 perspective. They didn't even show the Heisenberg perspective, even thoigh he was a driving force of a lot of the actions in the movie. So that there was no confusion when deciding which emotional character(s) to latch onto.
But I do think they missed an opportunity in not delving enough into the emotional state of Oppenheimer.
able to craft a technically great film but is utterly terrible at directing action.
bingo !!!
nolan seems unable to generate or build kinetic action / energy in his movies.
the opposite to rennie harlin, micheal bay or even a wheadon in this regard.
(russos also have this issue to a lesser degree).
tension in his movies seems somewhat sterile, more fabricated and less organic.
comparison: tension at end of unforgiven.
or ...
one is a nuke, one a worm .. both went as natural as possible but i know which one seems like an act of god and which one falls flatter.
i also felt that this time nolan's re-sequencing to facilitate simultaneous crescendo + reveal / twist in the third act worked to the detriment of the story somewhat, but i need to watch it again.
he might be over using it.
also i think matt damon was miscast.