H. Selassie
Black Royalty
A lot of harsh, yet necessary, realities being spoken in this thread
Blaxploitation movies
Rudy Ray Moore
Redd Foxx
Donald Goines
Iceberg Slim/Robert Beck
Funk was the original soundtrack to gang culture.
Gang culture existed before hip hop
Murder rates were in the 1000s in major cities like Chicago and NYC
/thread.
This is exactly the problem yall
Everyone cares about and protects their image except us
But again its nikkas fault right? We gotsta do better.
Blaxploitation movies
Rudy Ray Moore
Redd Foxx
Donald Goines
Iceberg Slim/Robert Beck
Funk was the original soundtrack to gang culture.
Gang culture existed before hip hop
Murder rates were in the 1000s in major cities like Chicago and NYC
/thread.
Blaxploitation movies
Rudy Ray Moore
Redd Foxx
Donald Goines
Iceberg Slim/Robert Beck
Funk was the original soundtrack to gang culture.
Gang culture existed before hip hop
Murder rates were in the 1000s in major cities like Chicago and NYC
/thread.
When Jazz was the "in" thing...Blackmen wore suits, hell you couldnt even get in a Jazz club without a suit.
All the way up to 70's R&B we sang about love and Blackmen dressed like grown men, they even had a term for it, "Dressing /looking sharp." When Superfly (which was directed by a Black man) came out it was countered by a soundtrack denouning drug dealing and drug using. Minstrel shows where out of our control...The way the news and Hollywood portrayed us was out of our control.
But Hip Hop was in our control and look at where we took in since the emergence of gangster/drug dealer rap in the early 90's.
.
Click to expand...Stereotypes
The genre's role in exploring and shaping race relations in the US has been controversial. Some held that the Blaxploitation trend was a token of black empowerment,[6] but others accused the movies of perpetuating common white stereotypes about black people. As a result, many called for the end of the genre. The NAACP, Southern Christian Leadership Conference, and National Urban League joined to form the Coalition Against Blaxploitation. Their influence in the late 1970s contributed to the genre's demise. Thought leader Addison Gayle wrote in 1974, “The best example of this kind of nihilism / irresponsibility are the Black films; here is freedom pushed to its most ridiculous limits; here are writers and actors who claim that freedom for the artist entails exploitation of the very people to whom they owe their artistic existence.”[7]
Blaxploitation films such as Mandingo (1975) provided mainstream Hollywood producers, in this case Dino De Laurentiis, a cinematic way to depict plantation slavery with all of its brutal, historical and ongoing racial contradictions and controversies, including sex, miscegenation, rebellion and so on. The story world also depicts the plantation as one of the main origins of boxing as a sport in the U.S. In the late 1980s and early 1990s, a new wave of acclaimed black filmmakers, particularly Spike Lee (Do the Right Thing) and John Singleton (Boyz n the Hood) focused on black urban life in their movies. These directors made use of Blaxploitation elements while incorporating implicit criticism of the genre's glorification of stereotypical "criminal" behavior.
What you've just stated isn't really true at all.
Alot of middle class black people looked down on Jazz before it became "art" music.
Blaxploitation movies were the first to glorify gangsta culture, pimping and rugs on a mainstream level with the images on TV.,not Gangsta Rap which came almost 20 years later. That's why the NAACP was against them...
This isn't true. Before Hip Hop, there were blaxploixation films. You had films like The Mack
Social Engineering.
You think the ghetto was created on a fluke? nikka this shyt was planned.
But again its nikkas fault right? We gotsta do better.
"Hip Hop was the 1st time in America where stereotypes of Blackfolks were self inflicted"
OP makes some great points, but regarding the quoted title of this thread, I think the first time black people started to internalize stereotypes is when we took the n-word and claim it as our own. When people talk about that like it was some type of power move I always cringe. That was the lowest form of verbal abuse that the white man inflicted on our ancestors, and the LAST word a lot of them heard before they were killed. To take that and to incorporate it into our culture the way that we have I think has become so detrimental. Post integration is when it started to become most dangerous, and harmful to us. We now live in a time where white and black kids feel so comfortable around one another that the word gets thrown around like nothing. I would argue that, in terms of entertainment, hiphop music is a huge issue. I would also argue that the n-word, at this point, is THE issue. Again, I'm talking in terms of entertainment.
how is the propaganda used against Mexicans, Gays, White people, etc...?So u dont believe in "media propaganda", a tactic of systemic opression thats been used for a century now, because you dont like the person talking about it? Wow
If i posted a vid of someone else explaining how "media propaganda" works, would that make a difference?
who engineered the first American ghettos when it was all Italians, Jews, Irish and Polish white people?Social Engineering.
You think the ghetto was created on a fluke? nikka this shyt was planned.
But again its nikkas fault right? We gotsta do better.
....Social Media is fast becoming the second but Hip Hop is the first..
- Black men bragging about killing other Blackmen
- Black Men bragging about selling drugs in their community
- Black men refering to Blackwomen as bytches and hoes
- Blackwomen accepting being called a bytch and a ho(Prior to Hip Hop the only time a woman accepted this on an open level was if she was in the nightlife of the underworld)
- Blackmen bragging about sleeping with other Blackmens wives
- Blackmen making light of hurting/killing children
- Grown Blackmen dressing like teens and acting like teens
- Blackmen proudly speaking ignorant.