Formerly Black Trash
Philosopher, Connoisseur, Future Legend
Just saw it
Wow
Wow
Great, influential, important film but Waingro.....anything with Waingro can go lol. A smooth , meticulous operator like McCauley taking up with Waingro doesn't' make sense, and he wasn't even introduced to the crew(at least Michael) before the heist. Seems unlike McCauley. Then it sets up the rape/murder sublot that goes unresolved. The fire alarm and McCauley knocking on the door backwards facing the camera but avoiding Waingro lol
He isn't needed for the Van Zant storyline either, because while they did steal from him they were being upfront about selling his bearer bonds back to him
just watched this for the first time...
just watched this for the first time...
only thing that kept it from being perfect was how sloppy everyone was just in general. its hard to believe these guys were career criminals at certain points... mainly like, why were they so rushed for time? none of them needed to be anywhere anytime soon, alot of them were even from the LA area. could've just layed low for much longer after each score.
then u had old girl sitting in the car like a fukking idiot like she thought old dude was going for a spot of tea while shyts hitting the fan all around the car. that bish was dumb. how a nikka like Neil fall in love with her, he didnt know her from shyt or have anything in common with her. that was supposed to be for the night. Lots of little inconsistencies that you can explain away for cinematic purposes i guess.
You have to go a little deeper into the characters to understand some of those parts. It's a movie that you will get more and more, if you watch again in a year or so.
Little insight into Neil's character, is a familiar theme in Mann's work, is that it's very much in line with his character, to essentially fall in love with someone, whom he doesn't know very well. "I know enough". They don't lay a lot of this out, but in Mann's Thief, James Cann character explains it a lot more expansively. Also, the scene at the dinner, you notice everyone has a partner, and Neil doesn't, so he walks out and makes a phone call, connecting with Edie. It's that split second decision. And he doubts himself enough to walk away, there's a scene where she says "what's wrong", and he pauses like he's lost, because he knows he's tripping, and then looks up again, and says "Nothing's wrong everythings right, say you'll go"
it has to happen fast, or else it won't happen at all.
When you are a professional criminal, you run so fast, so long, you stop for air, and end up falling in love, almost arbitrarily with someone, who you let your guard down with. And since he's a professional criminal, in his mind, he has no time or space for that process of falling in love, you need to roll now or not, and he tells her as much. Another theme in Mann's movies, is the idea that time is luck.
He tells her this too. As in, we only have right now. He could be done or dead next week, next morning. There's no time for meeting families, or going back and forth, like a rom com (or real life dating) we have this window right now to do this.