No Limit having an 80/20 split is what gave artists like Kane & Abel and Fiend enough promo to go Gold. Fiend didn't have that with Big Boy records.
Just because this is your thread doesn't mean you speak for somebody else especially when you don't know what you're talking about.
Whether or not "That Girl" made noise across the board wasn't even the point of that exchange. You made it a point that No Limit gave Suave their biggest hit, which is a lie. "Pure Uncut" wasn't bigger than "That Girl". And surely, "Pure Uncut" wasn't a hit across the board either.
You're in here arguing how No Limit blew the South up, but are talking about the Houston movement producing one-hit wonders, when No Limit acutally housed a bunch of no-hit wonders during their peak. And again, people were going on about how P was dumbing down Hip Hop. The industry wasn't trying to get rid of him. P, like anyone else in his position, had his haters.
Atlanta was the epicenter of The South's dominance. When ATL became dominant, the rest of The South followed. When Ludacris debuted, No Limit was no longer poppin' like that and CMR was not doing that well either. Trick's biggest album came out after No Limit and CMR had waned significantly in popularity as well. Both Trick and Luda were considerably more popular than anyone on No Limit or CMR at the time. What you think of Three Six doesn't change the fact that their biggest success was 2005.
You saying Outkast had nothing to do with Atlanta's rise is an insult fueled by your years of hatred towards them. Anybody that's been a part of Hip Hop, knows Outkast was significant in Atlanta's rise and even their biggest detractors would disagree with you. You don't speak for most Kast fans outside of the South, because you're not one of them. Your opinion is therefore null. And you can't be speaking about "riding tops" when you've spent the majority of this thread trying to convince posters that Silkk is dope after they adamantly had not interest in Silkk's music. And you're even contradicting yourself by riding for Silkk and saying the Source
had to put Silkk on their cover because he was hotter than X (according to you). I guess the same Source
had to put Eightball on the same cover, because he shared that same cover with Silkk on the fold out. "Bu, bu, but, you had to fold out the cover to see Eightball". Doesn't change the fact that he's on the cover.
And for the last time, Kast's double album wasn't sold for no $5:
Most No Limit artists didn't have multiple albums. Most No Limit artists were C & D listers.
And again, you are still lost on the Cam & Ruff Ryders thing. This wasn't your argument to begin with.