Indiglow Meta (R$G)
Ultra.
32. Army brat/teenage runaway. I don't have a 'from'Age and where you from?
lol the usual suspects. You late. Now I'm just waiting for @poiter to come in the thread.
32. Army brat/teenage runaway. I don't have a 'from'Age and where you from?
lol the usual suspects. You late. Now I'm just waiting for @poiter to come in the thread.
Age and where you from?
lol the usual suspects. You late. Now I'm just waiting for @poiter to come in the thread.
im 28. But my age is irrelevantI don't but Malcolms father was a member of the UNIA started by MARCUS GARVEY (Jamaican).
The NOI leader today is Farrakhan (half Jamaican/Half bajan).
This list IS accurate and widely known info for years.
The other list your referring to is a list compiled by Mediafakeout, so we already know that it isn't credible.
You still didn't answer: How old are you?
Yeah, I agree with that, but no one is denying that. What I'm denying is the fact that its the reason why NYC rap was different from the rest. And it wasn't the norm. If you notice, the rappers who did that was from brooklyn. I gre wup with these nikkas, I remember all of that. It was dancehall that started it, and the fact that a lot of west indians wasn't fukking with rap. I know I'm not the only old nikka from BK who remembers this shyt.So a rapper being of carib descent isn't going to have some type of influence in they're music? Even if they are rapping in a Jamaican accent? Chatting Patois? on a reggae sample?
Yet theres NO influence?
Nobodies saying that it's a carrib sound! But to deny that it doesn't have carrib influences, carrib descent rappers, etc is being disingenous.
My dude, what I'm trying to say is in the 80s/90s NY , every other song was Jamaican/Reggae influenced. Whether it was patois/samples/ etc.I'm glad you posted this because it brings another point. In the late 80's early 90's, it was about black power in the 90's in NYC, and roots reggae helped a lot being that the dreads are about ital food, drinks, they smoke herb, and they had locks, so it was something people who didn't want to live the western way to emulate. Of course it would effect some of the music, but again you can't ignore the tons of music that wasn't like that.
I feel the reason why NYC was separate from the rest was because we thought we the shyt. You want the newest, and best clothes, you go to NYC. You want to party all day, you go to NYC. I used to go down south, and everyone worshiped you because you was from NYC. We just thought we was the shyt, but time proved us wrong.
Yeah, I agree with that, but no one is denying that. What I'm denying is the fact that its the reason why NYC rap was different from the rest.
My dude you missing the point! I'm pointing out the carrib influences in 80s/90s hip hop.
Exactly .... sometimes I question why I even come to The Booth
I do notice in modern dancehall (1981 on) they started flowing with on beat syncopation whereas the original toasting they had (Uroy) was just random fragments with no real steady syncopation.
Super Cat was saying specifically that Rappers Delight was HUGE in Jamaica.
@2:23
shouts to @The Ruler 09 for posting that.
It's NOT an AA vs Carrib thing,im 28. But my age is irrelevant
Most of my knowledge comes from old heads that lived through this era
Were there people of caribbean descent that helped build the culture.... Sure
But they did so under the umbrella of African American culture/Music
And Farrakhan and the NOI got there teachings from an AA the honorable Elijah Muhammad
Caribbeans whole gimmick in this whole thing. Is to be on some Kanye west taylor swift not so fast dynamic. Lets just call it for what it is
Now, i don't agree with this. A lot BROOKLYN rap was like that, and that was in the mid 90's with groups like Smif'n'wessun, and Black Moon, Krs-one(bronx/brooklyn,flatbush) and busta rhymes(east flatbush). Most of NYC didn't sound like that, but that dancehall influnece is what separated bootcamp from the rest. It wasn't normal, unless you was from brooklyn. I remember when I knew rap was starting to grow, because I saw a dread in flatbush in a 1988 maxima blasting "the rulers back"(Slick Rick). That's when I knew shyt was slowly changing. It still took a while, but by the mid 90's when hot97 became the norm, then I saw everyone playing rap. In the 80's it was not normal to see west indians playing rap, unless they were kids because they grew up with an American style.My dude, what I'm trying to say is in the 80s/90s NY , every other song was Jamaican/Reggae influenced. Whether it was patois/samples/ etc.
Some AA"s don't recognize it, but Brahs with Carrib roots will be able to recognize it.
Even today, you look at Drake and see that he's heavily influenced by Carrib AS WELL as down south music.
lol see, i forgot to include slick rick on the list.Now, i don't agree with this. A lot BROOKLYN rap was like that, and that was in the mid 90's with groups like Smif'n'wessun, and Black Moon, Krs-one and busta rhymes. Most of NYC didn't sound like that, but that dancehall influnece is what separated bootcamp from the rest. It wasn't normal, unless you was from brooklyn. I remember when I knew rap was starting to grow, because I saw a dread in flatbush in a 1988 maxima blasting "the rulers back"(Slick Rick). That's when I knew shyt was slowly changing. It still took a while, but by the mid 90's when hot97 became the norm, then I saw everyone playing rap. In the 80's it was not normal to see west indians playing rap, unless they were kids because they grew up with an American style.
Another extremely accurate postHip hop was not caribbean influenced in any way, shape, or form.
Stop trying to add yourselves to the narrative...your heritage is not part of the art form outside of emulation, collaboration, and somebody's dna. That's it.
You're talking after the fact
[quote It was ALWAYS there.
I see you know a little something, but you're mixing up everything to come to a conclusion that isn't true.Exactly. Hip Hop is NOT just african american culture. Its Afram and Carribean culture. You can not separate the two. I'm 31 years old. Born and raised in NY(Jamaican parents) and later moved to Miami (also influenced by reggae dancehall. Luke is Jamaican. It's also a fact that miami bass music influenced ATL beats/instrumentals.)
NY= More of the Reggae/Ragga/Rasta influence
Miami = More of the dancehall influence.