So you say that Late Registration or MBDTF arent classics? Even 808s could be called a classic considering how influential it has been
nowhere near classic
So you say that Late Registration or MBDTF arent classics? Even 808s could be called a classic considering how influential it has been
aight @SirBiatch I'll bite. Explain how Kanye has no classics? To me, he has 4 classics (College Dropout, Late Registration, Graduation, MBDTF) With those four you have influence(created the blueprint for the modern "everyman, suburban, mainstream rapper" (ie. Drake, Big Sean, Kid Cudi, J Cole, Wale, even Kendrick to a certain extent), influential production (Chipmunk soul with College Dropout, stadium music with Graduation), classic songs, "Through the Wire, Jesus Walks, Good Life, Flashing Lights, Stronger, Can't Tell Me Nothing, etc.), critical acclaim, cultural impact(you can argue LR, Graduation, MBDTF were loved by the critics more than the people but you can't do that with College Dropout. The people loved that album. That's the album that most people who don't follow critics reviews and all that other shyt fukk with the most.) commercial success, cohesiveness(all of the albums had a central theme and sound that they stuck to), and innovation.
I say all of this as a dude who thinks Drake currently makes better music than Kanye and who actually agrees with you that he has surpassed him at this point(the whole ghostwriter thing is a wash since Ye' uses ghostwriters to). But your statement about Kanye having no classics strikes me as a bit gimmicky and "clickbaitish." And you haven't said anything in this thread to back up that claim besides smileys and accusing people of being biased and having no argument. You made the argument, the burden of proof is on you to back it up
Omnipresence doesn't make an album classic. REPLAY VALUE does. That's the number one factor.
None of Kanye's albums have replay value. Unless of course you're a Ye stan. None of the albums have amazing out-of-this-world beats (some decent beats here and there though) and Ye has a woat voice.
All those tracks you mentioned are "memorable" mostly because of hype/omnipresence. They're not classic in the same way "Represent" or "Mighty Healthy" is classic. Totally different echelon where the beats/voice/rhymes are out of this world. Of course someone will respond with the 'you stuck in da past' bullshyt Yet the irony is that Ye stans are always trying to shove Ye into that Nas/Mobb Deep/Wu/GOAT contender echelon.
If you influence transcendent artists, then I'll give you the influence award. Rakim inspired Nas. Nas inspired Ghostface and others in that period.
Ye influenced Fake, Weak Sean, shyt Cudi, and K Dot Minaj.
Fair enough. Though as I already explained, College Dropout was the "people's classic."Don't care about hype/critical acclaim from questionable critics outside the culture. e.g. GQ, Forbes, Rolling Stone, etc
I've explained why Kanye has no classics lots of times in other threads. You already know this, which is why you stalk me among others. But now you're pretending like I haven't already covered that topic
people who say Kanye has classics are either:
1.) young & missed out on the real classics
OR
2.) soft and are happy to get a hot album out of a soft rapper
OR
3.) biased towards his early sound(i.e. native tongue fanatics)
The shyt you come up with to justify why people fukk with music/artists that you don't fukk with is absolutely hilarious
You can make this argument about any artist. Paid in Full is obviously a classic album but do you think anyone except the most diehard Rakim fans are bumping that heavily NOW in 2016? Same can be said for the Wu, Tribe, Outkast, etc. You'res saying his albums don't have replay value as someone whose not even a fan of Kanye, let alone a diehard stan, so how does your argument have any credibility as being objective in the first place when any person who doesn't fukk with an artist can say that about the artist they don't fukk with.
Influence is influence. Don't move the goal posts.
Fair enough. Though as I already explained, College Dropout was the "people's classic."
Come back to me when Drake has something as good as this:
There you go trying to force Ye into the Rakim/Wu/Tribe echelon. Predictable
"If Kanye aint classic, then nothing you think is classic is classic."
Microphone Fiend is a better song than anything Ye has ever made as a solo artist. You don't have to be a Nas stan to find Illmatic amazing. That's the difference.
You have to be a Yeezy stan to even think his albums are dope, not to talk about classic.
Don't be desperate and naive. What you influence obviously matters. Which is why we even talk about influence.
no it wasn't.
It hit big among the young and poppy crowd but heads overall never looked at it as classic. I was in college when College Dropout came. We weren't bumping it like that. Middle school and high school cats were big on it, being young and impressionable.
Heads of all ages consider Nas/Wu/Mobb Deep's music to be classic. Whether you're 20 or 60. Something to think about
No I posted this song because it's almost universally agreed upon as amazing including by people including those I know aren't Kanye stans and heavily critique himLOL.
this is terrible.
I see what you tried to do. post both an abstract & spiritual song and hope nobody feels comfortable critiquing it.
Nope i'm grading it on a Kanye makes amazing timeless music curve, there's no reason why I can't look at his catalog and put any given album against whichever 90's "real hip hop" record you find precious.you gotta be grading on a serious 2000s gateway curve if you think Kanye has classic albums.