Just the Lupita switch
Just the Lupita switch
People can try to elevate this into some genius piece of work, but the shyt was light. The writing was horrible. So many cringe worthy lines. Set traps like home alone....really breh
Actually all the characters were poorly written. We already knew Peele was gonna have an underlying message, but simply having a message isn't what makes a movie great. It's how you convey that message that matters. And this movie was all over the place and super corny at times. It feels like Peele just threw it all together and left it to the audience to make something out of it.
Nah breh....if you have a message then it's up to you to get that message across. Peele did that to perfection with Get Out. It was clear. It was unique. It was something brand new. But this film was just sloppy. The terrible writing is what really brought this film down though. shyt was tyler perry bad....so much forced humor and cheesy jokes. People are gonna keep searching for all the hidden meanings, but you shouldn't have to spend hours dissecting something to find the genius in it. The film is supposed to do that itself. I'll still give Peele the benefit of the doubt and check out his next one, but he overplayed his hand with this one.
She eventually got out of the handcuffs and when she did.... what happened?
Some helpful videos. Made me like the movie more
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Yea man everything that needed to be explained was explained in plane sight.If people think this is poorly written, I would love to see their example of something that’s well written.
Dudes talking about the dad saying corny lines when the point of his character was WRITTEN to be a corny black guy.
There’s no character development but yet there’s two sides to literally every main character in the movie . Did you want a backstory on how the father got into Howard or how the daughter made her first track team?
I can see how you can say ideas weren’t fleshed out or explained (Hands Across America I still don’t get the big tie-in) but I had no issue with the characters or writing.
Foh nikkaBruh I seen the twist coming a mile away as well, Peele bout to be the black M. Knight if he don't tighten up
I’m not sure how you didn’t catch everything said in the video tho. It was clearly explainedThis is all well and good and yea after watching this it makes me give the movie a few more points than I originally did (originally thought the movie was just dumb)
I still should've caught all this during the movie, and its not my fault I didn't...
Good movies don't have to be explained to you after the fact for them to be good..
I got that but it seemed like the humans had no conscious feeling of the clones. I know it's a conspiracy but maybe that's what that flouride in the water scene was for..maybe they were implying that it weakened the humans ability to sense the tethers?
my exact thoughts when the black thems showed upBruh I seen the twist coming a mile away as well, Peele bout to be the black M. Knight if he don't tighten up
Okay genius what did the twist MEAN thenAfter further reflection, US > Get Out.
It was just more ambitious, more entertaining, and the humor in the movie didn’t rely on a fukking TSA agent.
Get Out was good as hell, don’t get me wrong. But it relied heavily on Hollywood tropes, especially with the protagonist taking out each villain in order and being saved by Deus Ex Machina.
US is not for simple-minded people, who could easily understand something like Get Out. This is a spoiler thread so if you haven’t seen it, spoilers ahead.
People are asking dumb as shyt questions like what the rabbits were for or why a little girl chained to a bed surrounded by abnormal humanoids couldn’t just escape. People are complaining about why Red monologued with Adelaide instead of just killing her family outright when it should be fukking obvious given the circumstances.
Motherfukkers are even asking why this is R. Nikka, my post would be rated R and it has less F words than US. We hear the unedited version of “Fukk the Police”. We see the white family get fukking slaughtered with plenty of blood. We see a fireplace poker in someone’s head with a shytton of blood. A doppelgänger cuts her own face with bloody results. We see a clone bent in fukking half in a tree, also with blood. We see a child on fire. The final fight was bloody as hell.
This was way bloodier than Get Out and they don’t allow more than one F word in PG-13 films (they MIGHT allow up to four depending on the theme of the film, but that’s extremely rare).
This earned its R rating.
US was just deeper than Get Out. Yes, Get Out was a damn good movie with a lot of food for thought. But the more I reflect on US, I realize how much more pertinent the message is in the movie without being so overly blatant like Get Out was. US wasn’t about the twist. It was about what the twist MEANT and I think a lot of people aren’t smart enough to appreciate that.