For a summer slate impacted by the strikes, I like the variety better here than last year’s tbh.The summer line up don't look too exciting really
For a summer slate impacted by the strikes, I like the variety better here than last year’s tbh.The summer line up don't look too exciting really
Saw this last night.
Was really disappointed - a really bad script and the action scenes were disappointing. The sets of the towns were also shot in a way that it was so obvious it was on a set.
I liked Glen Powell and Anthony Ramos.
I almost thought that guy and the guy in the beginning were the same person...I was thinking how in the hell...We’ve got twins!!!!
…TWINS!!!!
Independence Day and Godzilla too. After Terminator 2 and Jurassic Park pretty much codified the modern summer blockbuster came the era of big dumb action blockbusters with massive premises trying to quadruple down on that shyt. Eventually they figured out how to do them better. Cuz like you said, they were advertised as these super serious movies but had a lot of dumbass goofy corporate mandated shyt too since monoculture was still a thing.The original was 1996 right? I remember watching it around that time.
Would have been 11 years old or so. I was way more into violent action movies and thrillers, then anything to do with natural disasters or basically anything that wasn't violent. It was slow and not great to me as a kid, but it's been 25 plus years now. Interesting, is that back then, they were sold as vaguely serious minded movies. and this seems pure "thrills" and Fast and Furious style action. It wasn't marketed to kids, but most of the PG-13 rated drama thrillers were watched by kids.
Being forced to see Apollo 13 in theaters was one of the worst movie experiences of my life. But Twister was a pretty big movie for whatever reason. There was a lot of these kinds of fairly absurd, but reasonably plausible movies around 1996-1998, I am sure there is some cultural timely reasons for this.
Twister, Volcano, Daylight, Deep Impact, Dante's Peak, and Armageddon. The Perfect Storm. Anaconda. Maybe. As a kid we took it all pretty seriously.
they all very similar titles too lol -quasi official terms, very direct and serious minded.
Independence Day and Godzilla too. After Terminator 2 and Jurassic Park pretty much codified the modern summer blockbuster came the era of big dumb action blockbusters with massive premises trying to quadruple down on that shyt. Eventually they figured out how to do them better. Cuz like you said, they were advertised as these super serious movies but had a lot of dumbass goofy corporate mandated shyt too since monoculture was still a thing.
Y2K was probably a big factor too. Fascination with disasters
I think in general, big budget movies these days have a better sense of what they're trying to do and what audience they're serving. A lot of 90s shyt especially had weird identity crises.
The downside though is it leads to big budget movies being safer and blander. 90s movies took bigger risks and had a more eclectic range of subject matter, themes and influences even if it lead to a lot of dumb shyt, since they were trying to reach EVERYBODY
Yeah I think I was off on saying they were trying to reach everybody...it was more that they knew anybody was bound to come across the shyt somehow since things weren't decentralized, so they had a more devil may care approach as you said.less pandering and algorithmic targeting too. 90's movies were weirder because studios and writers were less concerned with what exact audiences wanted. and of course studios copied each other. Think of something like
Conspiracy Theory: mid budget adult thriller with two major stars, about a paranoid cab driver and a Justice Department lawyer, who wanted this movie?
8mm: dark and weird Joel Shumacher movie with major star as a private detective tracking a snuff film. Who asked for that?
yet they were in their time fukking dope. and somewhat original and weird, and not trying to please anyone.