TDE Is A Bigger Label Than Death Row, Says Problem: 'They Had A 4-Year Run'

Left.A1

Superstar
Joined
Dec 19, 2017
Messages
19,332
Reputation
714
Daps
51,583
People don't bother to learn any history before they make bold all-time statements.

The industry was different back then. The longest runs you were gonna get would be 3-5 years, unless you're ll cool j or somebody.
Excuses....nothing was stopping Death Row from continuing besides themselves and their own incompetent leadership
 

Left.A1

Superstar
Joined
Dec 19, 2017
Messages
19,332
Reputation
714
Daps
51,583
TDE has lasted longer but the impact isn’t the same .

Throughout history there are many labels that did what TDE did and more..TDE should be compared more to Rap-A-Lot not Death Row ,
Rap A Lot should definitely get a lot more adoration for what they've done also.. A lot.of legendary music from that label... But the top end major commercial records probably don't compare with TDE
 

FukkaPaidEmail

Retired Hoodrat whisperer
Joined
May 5, 2012
Messages
22,638
Reputation
3,888
Daps
86,979
Reppin
The Diaspora
Rap A Lot should definitely get a lot more adoration for what they've done also.. A lot.of legendary music from that label... But the top end major commercial records probably don't compare with TDE
If we’re talking about commercial I agree then .
But that makes a TDE vs Death Row comparison even goofier.

It’s about 6-7 labels TDE gotta deal with before stepping to DR.
 

Awesome Wells

The Ghost of Jack Tripper
Joined
Jun 20, 2012
Messages
9,370
Reputation
3,125
Daps
28,612
Reppin
Uptown, NYC
if you think about it, it boils down to personalities. cuz top and them from the same environment and got like 4 different sets representing on the label.
they just not on that goofy shyt that suge was. and we already know pac was a lil crazy too but that's my guy tho. it is what it is

Exactly.

But Q was just talking about this and said that with TDE the goal was to leave the streets alone and just focus on the music and getting away from what they knew before. Suge was gravitating even more towards the streets when he didn't even have to be. Trying to be something he wasn't. And the minute he couldn't afford to pay the street dudes anymore, they all abandoned him. Goes to show none of that was worth it.
 

CHICAGO

Vol. 9: Trapped
Staff member
Supporter
Joined
May 1, 2012
Messages
54,107
Reputation
11,545
Daps
367,678
Reppin
CHICAGO


IM NOT EVEN SURE
WHY nikkaS USING LONGEVITY
AS AN ARGUMENT
WHEN WE KNOW THE REASON
THE LABEL CRUMBLED IS BECAUSE
PAC GOT KILLED AND SUGE GOT KNOCKED.

ITS NOT LIKE nikkaS JUST FELL OFF
LIKE NO LIMIT.

DUDE SAID "BIGGEST LABEL"

TDE WASN'T EVEN THE
BIGGEST RAP LABEL IN THEIR ERA
WHICH AUTOMATICALLY DISQUALIFIES
THEM FROM ANY DISCUSSION WITH
DEATH ROW.
:devil:
:evil:

 

Insensitive

Superstar
Joined
May 21, 2012
Messages
11,972
Reputation
4,514
Daps
39,981
Reppin
NULL
TDE has lasted longer but the impact isn’t the same .

Throughout history there are many labels that did what TDE did and more..TDE should be compared more to Rap-A-Lot not Death Row ,
Disagree completely.

Rap-a-lot doesn't not have several legit STARS.

Like where is Rap-A-Lots SZA ? Where is their Kendrick Lamar?

Do you guys truly not understand the impact of this label in 2024 ? :pachaha:
They only have 2 :mjlol:
That's wild.

Oxymoron is platinum.

And we both know Kendrick and SZA went platinum.

Doechii also has a platinum single under her belt.
 

JustCKing

Superstar
Joined
Jun 17, 2012
Messages
25,224
Reputation
3,809
Daps
47,672
Reppin
NULL
Heads always treat Suge like the boogeyman for the wrong reasons, rather than seeing his vision and ambition. Let's keep it a buck, the smear campaign was more of fear of black owned music industry that refuses to bow down to the whites. Death Row hit the switch, for labels like Rap a Lot, No Limit, and Cash Money to get that big piece of the pie.

We will never get anything on that level of what Suge envisioned because it's all about just clocking in and checking out, than longevity.

Hence, why artists are as broke as the common Joe Blow, because they didn't allow the bosses to thrive so they can eat and carry on tradition.

Ya'll slurp Suge way too much on here. Death Row wasn't some unapologetically Black label. That would be No Limit Records. Suge Knight squandered a lot of opportunity playing super thug. Yes, Death Row pioneered, but we can't act like that label was what its made out to be on here. Most of that label's success was due to Dre and it followed the Ruthless blueprint. People act like Jimmy Iovine wasn't helping pull strings over there or that Dre wasn't more important than Suge specifically because he was involved in the music and things crumbled once he left.
 

spliz

SplizThaDon
Joined
May 2, 2012
Messages
60,693
Reputation
9,179
Daps
201,529
Reppin
NY all day..Da Stead & BK..
Wild seeing guys pretend like we weren’t bumping Q , Jay rock, and ab soul when TDE first popped in addition to Kendrick.

They obviously didn’t reach the same high as deathrow’s og rollout, but I think it’s clear TDe was run better.
There's no way TDE's run is better than Death Row. This is a damn joke. Lol.
 

spliz

SplizThaDon
Joined
May 2, 2012
Messages
60,693
Reputation
9,179
Daps
201,529
Reppin
NY all day..Da Stead & BK..
You are several types of delusional if you don't see that TDE has effectively lasted longer than Death Row and produced several superstars.

Not many labels can have multiple platinum artists that aren't a major label themselves.

In the contemporary Hip-Hop/R&B landscape few can compete.
No. This is a joke. Them nikkas went years without releasing shyt. Like I said. Ruff Ryders and Rocafella >>>> TDE.
 

Pressure

#PanthersPosse
Supporter
Joined
Nov 19, 2016
Messages
45,701
Reputation
6,870
Daps
145,748
Reppin
CookoutGang
There's no way TDE's run is better than Death Row. This is a damn joke. Lol.
Most of death row’s brand recognition came from all the bullshyt they were getting into.

Snoop trial, pac getting shot multiple times, Dre who was already big leaving NWA, the beef around that, and suge fukkery, and beef with Bad boy.


:pachaha:

And all that fukkery and bullshyt eventually killed the label.
 

spliz

SplizThaDon
Joined
May 2, 2012
Messages
60,693
Reputation
9,179
Daps
201,529
Reppin
NY all day..Da Stead & BK..
Most of death row’s brand recognition came from all the bullshyt they were getting into.

Snoop trial, pac getting shot multiple times, Dre who was already big leaving NWA, the beef around that, and suge fukkery, and beef with Bad boy.


:pachaha:

And all that fukkery and bullshyt eventually killed the label.
nikka u COULDNT have been around. Just say that so u can save urself from the damn embarrassment. Lol.
 

The Intergalactic Koala

Reporting for Duty
Supporter
Joined
Jan 2, 2017
Messages
59,856
Reputation
21,022
Daps
245,505
Reppin
Koalabama and the Cosmos
Most of death row’s brand recognition came from all the bullshyt they were getting into.

Snoop trial, pac getting shot multiple times, Dre who was already big leaving NWA, the beef around that, and suge fukkery, and beef with Bad boy.


:pachaha:

And all that fukkery and bullshyt eventually killed the label.

:francis: While this is true, Death Row had the 215 a poppin. Far from the fukkery recognition.

  • Above the Rim soundtrack was a big deal (Summer of 94 bangers left and right)
  • Gin and Juice was a huge fukking deal as the whips had the block jumping
  • Hell I remember Philly DJs spinning death row mixes in 95 (Radioactive hour on Power 99)
This goes beyond the fukkery as hip hop in the 90s as a whole was always into the shyts. With that insight, heads would be all over TDE with their constant in-house fighting, subliminal foolishness, and etc. Yet, it doesn't help that the head honcho treats album releases like Al Bundy on the couch :camby:
 

spliz

SplizThaDon
Joined
May 2, 2012
Messages
60,693
Reputation
9,179
Daps
201,529
Reppin
NY all day..Da Stead & BK..
:francis: While this is true, Death Row had the 215 a poppin. Far from the fukkery recognition.

  • Above the Rim soundtrack was a big deal (Summer of 94 bangers left and right)
  • Gin and Juice was a huge fukking deal as the whips had the block jumping
  • Hell I remember Philly DJs spinning death row mixes in 95 (Radioactive hour on Power 99)
This goes beyond the fukkery as hip hop in the 90s as a whole was always into the shyts. With that insight, heads would be all over TDE with their constant in-house fighting, subliminal foolishness, and etc. Yet, it doesn't help that the head honcho treats album releases like Al Bundy on the couch :camby:
I can't believe this is even an argument people are entertaining. nikkas have to prove to me that TDE is even more successful than Murda Inc or G Unit in their prime. Lol.
 
Top