Suicide Squad represents everything wrong with the DC movie universe
But the Marvel movies faithfully captured the spirit of those characters and the fun and adventurous vibe of the Marvel Comics world. They felt like comics come to life.
The trio of DC universe films we’ve seen so far have come across more like challenges to their source material — and at times have seemed intentionally disrespectful.
The shared idea that connects the films is the potential consequences of god-like super-people: The conflict in Batman v Superman was sparked by the massive urban destruction caused by the final battle in Man of Steel, and the team in Suicide Squad is put together by a government agent who fears what might happen if an evil Superman who doesn’t share America’s values ever arrives. In other words, these movies are literally driven by fear and terror of superheroes.
And the heroes they give us are rather fearsome: In massive deviations from comic book lore, both Superman and Batman murder people. Batman’s casual approach to killing, in particular, goes against essentially everything the character has stood for. The Suicide Squad is a team full of villains, led by a crack-shot assassin that the movie attempts to humanize in a handful of laughable scenes where he’s shown as loving his school-aged daughter.
Unlike the Marvel movies, which so effortlessly capture the essential sensibility of the Marvel’s printed comics, none of the characters in any of the DC films is a truly faithful rendering of his or her comic-book persona.
Even the superhero cameos in this year’s DC movies barely make sense. Both Batman and the Flash appear in Suicide Squad, but they don’t serve any purpose except to advertise that they exist in this world. They don’t tell us anything about the characters or advance the plot. Wonder Woman’s more-of-a-cameo-appearance in Batman v Superman suffers from the same problem: She’s a cipher with nothing to do.
Marvel, in contrast, has made its many crossover cameos into miniature art forms.