There's this great write up by this one brother that describes the mental state of why Black women love Scandal and subsequently why Shonda Rhimes tries to present a dream like scenario for Black women to live out these dreams vicariously through shows like these:
Why Do Black Women Love Scandal?
ABC’s “Scandal” is a political drama about a woman named Olivia Pope who, having graduated from Princeton and Georgetown Law before serving as the White House Communications Director, now makes a living running a firm that protects the public images of the American political elite. Pope had gotten that position in the White House as a result of her work on the presidential campaign of Fitzgerald Grant (later President Grant), who she had started sleeping with. The show largely centers on the maintenance of this affair and the “deep love” that exists between these two characters (in addition to all of the scandals Olivia continues to deal with).
“Scandal” has generally been received favorably by critics and is a ratings success for ABC, but what is unusual is the source of this acclaim: the show’s most extensive and vocal support comes from within the black American community, specifically the black female community. So addicted are these females to the show that their devotion to it has become something of a meme in black America.
Black men are not nearly as enthusiastic about the show as their female counterparts. What truly perplexes me about this black female devotion to Scandal is the fact that the show seems not to be in line with the stated objectives and concerns black women are most vocal about. In fact, it seems diametrically opposed to them in some cases. Take the following issues, for example:
1. “Black Men Won’t Commit”
Black women are vocal critics of black male failure to man up and marry them. They lament the black man’s supposed
unwillingness to commit and make a woman a wife, and state that he is often too willing to treat her like a mistress and fail to offer her the respect she deserves. There is a reason Beyonce’s “Put a Ring On It” became such an anthem among black American women—it reflected these longstanding critiques, which commonly
find their way into mainstream discourse in American media. Long story short, black men are often accused of taking black women for granted, and black women resent this.
Meanwhile, in Scandal, Olivia Pope is a side piece that Fitzgerald Grant is never actually going to marry, a reality that places her in precisely the same position that black women continuously scold black men for putting them in. Scandal is depicting precisely the kind of relationship dynamic that black women claim to hate and, somehow, this doesn’t seem to bother the women who adore the show and aspire to be Olivia Pope.
2. “The Media Too Often Portrays Black Women As Jezebels, Not Wives”
Black American women have been vocal about their portrayal in the media for a long time, claiming that their characters are all too often portrayed as
overly lewd, promiscuous, immoral whores with sexual attitudes that run completely counter to the “proper” conduct of a lady. They have also claimed that white women received
the opposite treatment, with their stereotypes labeling them the “proper” wives and ladies. Black women
do not hide their resentment of this alleged double standard.
Scandal does them no favors, as the show appears to do nothing to contradict (and, I contend, actively reinforces) these stereotypes. The show’s lead character is a black female, and her involvement in an affair with a married politician is central to the story. In fact, Pope’s character history seems to add even more fuel to the stereotypical fire black women have been trying to extinguish with regard to their sexuality. Olivia Pope is an extremely well educated woman: she went to prep schools for almost the entirety of her early life before undergrad at Princeton and three years at Georgetown Law. She did not grow up in a money-scarce environment and is far from the stereotypical hoodrat you’d expect to be associated with the “Jezebel” caricature black women have been fighting. Olivia Pope is supposed to have “class”.
And yet, despite all of that, Pope is still a sidepiece. She did not need to be: unmarried, eligible suitors were present in her life, but she did not want them. In fact, she turned them down specifically because of her desire to remain a married man’s mistress. She voluntarily maintains her status as a side-piece despite his continued marriage and the presence of his family. All the while, Grant’s wife Melody hasn’t even had an affair, remaining loyal to him despite his infidelity.
Pope appears to be the much maligned black “jezebel” of old, whose allegedly uncontrollable lust and sexual appetite resulted in her engaging in actions that directly countered the ideal of the “proper” lady and could be considered immoral (ex: willingly maintaining very active sexual relationships with married men), while Grant’s wife looks like the “proper”, moral white lady standing by her husband. It would be difficult to draw up a situation more in line with old racialized American gender stereotypes.
Again, it would be another thing entirely if Pope was an uneducated chick from the hood. In that scenario, you’d be able to put her behavior down to her lack of schooling or class. This is not the case, however: Pope has always been well-off and is incredibly well educated. By showing that even the most affluent, well educated and professionally accomplished black women will, when given the choice, elect to remain the sidepiece instead of becoming the lady, Scandal does a great deal to affirm and promote a powerfully negative old stereotype of the black female.
3. “Black Men Are Irresponsible”
Black women are vocal critics of black male failure in the household. Too often, black women say, black men step out on their children and their families. They cheat all the time. They are either never there at all or they’re there but getting some on the side and not committing to fatherhood the way they ought to. This type of “dog” behavior is not ok and is undermining the stability of the black family, they contend.
Black men “need to do better”.
In Scandal, however, Fitzgerald Grant is a cheater who spends much of his time stepping out on his family for Olivia, his sidepiece. This obviously compromises his ability to fully commit to his responsibilities as a husband and father, and negatively impacts the stability of his family. Legions of black women love the relationship anyway. Odd, considering the fact that it involves a man engaging in precisely the kind of behavior that they have long voiced their distaste for.
Fox stays taking L's.
