clive davis had more vested interest in laface than bad boy.
quote my whole statement. in the bolded, I said they were viewed that way by SOME. the biased types. and that's not a bad thing, because lil jon & esb are the ones that made Atlanta into a viable scene on the rap map. NOT OUTKAST. so youre digging a hole by bringing that lil jon convo into this thread.
as for the Atlanta entertainment capital thing; youre just arguing for the sake of arguing, and not trying to use your brain - which is what everybody says when they get into a back-n-forth with you.
lol. the groups that you name-dropped and how they got on, are proof of what I'm saying. USE YOUR BRAIN. ITS NOT ABOUT REPPIN ATLANTA. nobody has to rep it at all. it was clearly a go-to place for the industry since the EARLY '90s.
it doesn't matter who was taken serious and who wasn't by certain people. LETS BE REALITY, most hip-hop heads still don't take the south seriously in 2017. BE SMART SON!!!!!!
nobody is saying that the south didn't already have artists. clearly that's not what I'm saying. I'm saying that the south wasn't a factor before master p. there were successful acts, but the region as a whole wasn't checked for beforehand. you get checked on this regularly by a lot of people, btw.
yes I know that outkast was successful but AS MANY PEOPLE HAVE ALREADY TOLD YOU, they were a hybrid group. that's what boosted their sales. they couldn't even put make Atlanta relevant on the RAP MAP.
Regardless of who he was more vested in. You first stated that La Face was responsible for "the Atlanta takeover" then you switched to Arista and chalked it up to you not wanting to type out La Face.
The "SOME" you are referring to are the same "SOME" you claim don't view OutKast as GOAT contenders. That "SOME" were so called Hip Hop heads. And here we have another contradiction, how did Lil Jon make Atlanta viable on the rap map when
1) You're claiming New Orleans made The South viable, which doesn't make sense being that Atlanta is a part of the South
2) Lil' Jon was making music back in the 90's, but his biggest hit was Ghost Town DJ's "My Boo". By the time Jon blew up, Kast had two platinum albums, one double platinum album, and one album that went quadruple platinum. Goodie Mob had three Gold albums. Ludacris had two multi-platinum albums. Jermaine Dupri had a platinum album.
3) Lil' Jon gets credit for spear heading the dominance of Atlanta and The South as a whole having a strong hold on Hip Hop, but he didn't make The South viable. When crunk took off, there was an influx of artists who started blowing up all over The South from David Banner to Bone Crusher.
Atlanta was a go-to city because it is one of the country's largest Black cities. It is what drew L.A. Reid and Babyface there to start La Face in the first place. It was also an untapped market for talent.
If it doesn't matter who was taken seriously and who wasn't, why are you making a thread attempting to speak for all Hip Hop heads in regard to Kast being seen as GOAT contenders? If it doesn't matter then it really shouldn't matter who sees Kast as GOAT contenders.
The South was a factor before P. The only real argument you could make in favor of P is him blowing New Orleans up. That and him showing artists that were selling albums from their trunks that they didn't need a major label deal.
You're contradicting yourself again by admitting The South ALREADY had successful acts, but then you want to say New Orleans blew The South up despite The South having successful artists from Texas, Florida, Georgia, and Tennessee.
OutKast was not a hybrid group. Breh, if you're trying to push this hybrid agenda for any Kast album before
The Love Below, then what exactly are we labeling Bone?