bigbadbossup2012
Biggest baddest boss
hOW U LOVE THAT VOL 2 is my fav cmr record. i feel u.the overall bottom line is that everything isn't for everybody. if you don't like what a rapper is spittin about, then don't listen. i'd much rather a rapper DO THEM instead of making forced records that just aren't them. that's been a problem in rap since the early 2000s. too many rappers trying too hard to branch out and cater to too many different audiences, and the result is a bunch of phoney records. look at jadakiss.
my problem with braggadocios mainstream rap right now is that all these dudes doing it in the mainstream are redundant as f**k. im not saying that their redundance stems from their subject matter. im saying that their redundance stems from the fact that most of their chit sounds the same and is repetitive. I mean, if youre gonna keep recycling the same topics, at least be creative with it.
case in point, I can listen to the big tymers' catalog from front-to-back, and 80% of their catalog is materialistic as hell. but the chit is so hot, it doesn't matter what theyre rapping about because them dudes was jamming. now, if I get tired of their content, I don't complain about it, I simply move on and listen to somebody else. and heres the beauty of it. I don't have to go far. If I want to hear some enlightening content, I can still keep that mannie fresh groove by simply putting in a juvenile album. and I can continue jammin from there.
and the crazy thing is, the big tymers weren't even rappers. but they had that "IT" in their chit. now do I f*ck with birdman solos? hell no. at least not the ones I heard. he got some heaters but I cant tolerate a whole album of that nicca. not even the ones where fresh did most of the beats. which leads me to my next point.....they need to bring back groups.
this sounds like a personal problem.
like you aren't comfortable in your own skin sometimes or something.
whats that?
Although i prefer a wide range of subjects. The real problem is the lack of personality,creativity or just being overall wack.
I can listen to Too $hort's 83'-00" music all day. Is he the best rapper ,naw. Does he have a wide range of subjects,typically no.
But on his best works,he has ill funky beats and when he talks about hoes,he makes it ultra comical,tells interesting stories and/or just gives you a certain psychology about women,player,tricks etc and it's very entertaining and informative. When he deviates from hoes,he still delivers the same level of game spitting about life (the ghetto,life is too short etc).
Like runny ray spoke about big tymers,them nikkas were very funny and though they were just talking shyt,they sounded like no one else. They gave you their perspective,personality humor etc. And musically they made great music.
Problem with music now is that their is no particular perspective per artist.
Too many using the same flow,same type beats,same sense of humor or lack of it. PLUS on a mainstream level everyone is virtually doing the EXACT SAME shyt.
In all honesty the threadstarter does have a point,When this nikka or that nikka was BALLIN OUT,there was other nikkas with similar popularity,doing something different.
When puffy was hot,no limit was hot with street music. Not quite as hot sales wise,but amongst hiphop,they were very hot.
There used to be a whole bunch of popular cliques. Now nikkas just come out with the same music and run to certain artists looking to piggy back their fame off others. Nothing wrong with networking,but people really need their own identity again.
Going into the mid-late 90's going into the early 2000's i remember various cliques popping
No Limit
Bad Boy
Terror squad
Cash Money
Ruff Ryders
Wu-tang
Mo thugs
Aftermath
Disturbing the peace
St. Lunatics
Roc-A-Fella
etc etc.
We got cliques now,but there's a difference. nikkas these days sound too muck alike and they do TOO MANY COLLABORATIONS.
nikkas too desperate