“One of my greatest memories is bringing
Nas to Shaolin, to RZA’s house for him to come do his verse for ‘Verbal Intercourse,'” Raekwon tells The Boombox about recording
Only Built 4 Cuban Linx. “That was one of my moments because we were chillin’ back then. A lot of people don’t know that Nas and I we were real cool back in the ’90s. He would come to my crib or I would go to his crib.”
Rae details how the magic happened on “Verbal Intercourse,” which came to be due to his ear for solid lyrics. “We got him out to Staten Island — ’cause you know he’s the only feature on the album — we are in the studio at RZA’s crib, we played him the beat and he loved the beat,” the MC recalls. “But he just didn’t know what rhyme to throw… Next thing, you know me, I had to go into A&R mode and play some s—. I’m like, ‘Give me some ideas or sing some joints.’ When that, ‘Threw, the lights, camera action’ thing came out and he pieced that muthaf—- together I said ‘That’s it, homie.’ And that was illest verses from a feature that I ever had in my life.”
Nas’ appearance on the album may have been a shock to some Wu heads since the album was originally intended to feature just Rae and his brothers in the Clan. “For us,
how Nas got on the album was like, if there could be a 10th member of the Wu, it would have been him,” the “Wall to Wall” rapper states. “I had a lot of friends who I could have called on at that time, but that was an album that I personally wanted to make one of the illest rap albums of the world… and I knew [Nas] fit that chamber.”