spliz
SplizThaDon
Hit and Nas ain't got no issue. Wtf nikkas talkin bout?
Hit and Nas ain't got no issue. Wtf nikkas talkin bout?
I agree with like 95% of this only a few switch upsafter some month passed heres my new nas top disco
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you use a site for this?after some month passed heres my new nas top disco
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Hit and Nas ain't got no issue. Wtf nikkas talkin bout?
That nikka don't know shyt.Just some dude from cali and IE on twitter claiming there's something but doesn’t wanna say what or why and says wait till stuff comes out. He was honestly annoying cause he was on some "I aint TMZ but yall wait" shyt
after some month passed heres my new nas top disco
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Going back to I Am. It's hard for me to do this. Lol.Magic 3 over I Am
I doubt it but also not so impossible to imagine. Business can be tough. Nas has a history of ironing out internal issues with everyone. Nas also will pop out and then disappear on people. He's just a natural recluse.Just some dude from cali and IE on twitter claiming there's something but doesn’t wanna say what or why and says wait till stuff comes out. He was honestly annoying cause he was on some "I aint TMZ but yall wait" shyt
I doubt it but also not so impossible to imagine. Business can be tough. Nas has a history of ironing out internal issues with everyone. Nas also will pop out and then disappear on people. He's just a natural recluse.
Topsters 3you use a site for this?
I agree with like 95% of this only a few switch ups
LT over Stillmatic
KD1 over M2
Nastradamus over HHID & SD
I could debate M3 over I Am(but I Am has to many amazing high moments)
I feel like DR is low, but I get it's incredibly difficult to rank, it's so different from everything else in his catalog
Magic 3 over I Am
That shyt is on point. I would do a few small changes, no way is magic 2 above KD1, HHID and Untitled. Magic 2 while good, is a bottom 5. 3.5 mic rangeafter some month passed heres my new nas top disco
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Hit-Boy Curates a Playlist of the Songs That Inspire Him—and the Hits He Made With Beyoncé, Nas, Drake, and More
Talking life and music with the Producer of the Year Grammy nominee behind “N-ggas in Paris,” “Sicko Mode” and a remarkable six-album run with Nas.www.gq.com
Think about it. We never had any crazy rollout. I see certain artists, and they do every platform. They’re on Hot 97, they’re on Apple Music. Nas wasn't really trying to take that route, and parlaying to make people come listen. It was like, This is for the people who already rock with me. It was anti-industry for real. So, that gave me freedom to be like, I don't have to try to go get this person to make the biggest hook ever just so we could be on the radio all day. It's like, "I want to make some shyt that's hard, to me." And he was on the same thing, and that was real freedom.
Nas had just turned 50 the day we dropped the [last] album. I feel like [we decided to stop] because he wanted to just breathe for a second. He’s been rapping since he was what, 16, 17, and doing it at a high professional level. Sometimes I'll be in the studio and I'll come across a YouTube link of an old two-hour Nas mix tape, and just be like, how the fukk is he still thinking of these raps?. He’s not just a ABC-ass rapper where he’s trying to come up with a cute little hook or some bullshyt. This n-gga raps. He says something every verse he's ever done. So, just for him to still be doing that, man, shyt, it’s unbelievable, for real.
Everything he does, even if he does a joint that's for the girls, he's going to have some type of storyline that you could connect with. Everything was fun, in this whole process. N-ggas never made me feel like I had to deliver anything specific other than something that felt good to us. So, [Nas’ could make anything sound interesting, in my opinion.
The Magic [albums] were like mixtapes. Those got announced within 12 hours or 24 hours each time. We never put the album cover out a week or two early. [Each time] he just wanted to get some raps off. I don't got to do too much crazy post-production, it’s moreso about raw beats and good raps.