I wouldn't know.
Here's some excerpts
In the past 18 months it has sustained a switch in directors and creative tinkering before and after production to lighten the tone. Significant reshoots brought an already big budget up to nearly $300 million, said people close to the picture.
One person close to the DC film effort called 2018 a “reset year” when executives and producers will focus on a slate of pictures to be driven more by directors’ visions for individual characters than a corporate mandate to put out particular films in a given order, as Warner’s chief executive three years ago announced the studio would do.
Toby Emmerich, who became president of Warner’s motion picture division in December, said he wants DC to worry less about a comprehensive strategy than about making great films. “We don’t want to limit the creativity filmmakers can bring to the table by saying these characters have to come in a particular order and all fit into the same universe,” he said.
Last year, concerned that their super-hero pictures were becoming too dark and violent, Warner leaders assigned fan-favorite comic-book writer Geoff Johns and production executive Jon Berg to oversee the DC movie slate and give it a more optimistic tone. Their first task was a last-minute rewrite of “Justice League,” done with the “Batman v Superman” team of Zack Snyder and screenwriter Chris Terrio, to make the movie less serious and more hopeful.
Early cuts didn’t achieve that goal, but a test screening of the final version recently earned audience scores close to those of “Wonder Woman,” said people who have seen the data.
In “Justice League,” Ezra Miller’s Flash, who is young, socially awkward, and hides his fear through humor, is viewed at Warner as the movie’s breakout character. Mr. Emmerich said a solo Flash film is a priority.