Official Cobra Kai: The Karate Kid Saga Continues Thread

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The 'dark' side of Mr. Miyagi: 'Karate Kid' star Ralph Macchio shares Pat Morita stories in 'More Than Miyagi' documentary

A manuscript written by the late Karate Kid star Pat Morita, sharing his life story in his own words, was the catalyst of an inspiring but heartbreaking documentary More Than Miyagi: The Pat Morita Story.

“There [were] some really dark things,” the film’s producer Oscar Alvarez told Yahoo Canada. “I would say the manuscript was the blueprint of everything and that's what got us excited, especially because he had talked about his early years and that's the stuff that you don't know, pre-Mr. Miyagi.”

Coming off the heels of the Cobra Kai release on Netflix, Karate Kid actors including Ralph Macchio and William Zabka, Happy Days stars like Henry Winkler and Marion Ross, and other celebrities including Tommy Chong, Larry Miller and Esai Morales tell their personal stories about Morita — the man known to millions as “Mr. Miyagi.” One thing that really comes across is that Morita was not only important to fans of his work, but also to his colleagues.

Alvarez believes there is still so much people don’t know about Japanese-American actor. The producer revealed he was recently speaking to someone who didn’t even know Morita was nominated for an Oscar for his role in The Karate Kid. We come to find out in the documentary that Macchio still wishes he had gone to the Academy Awards ceremony with Morita in 1985.

For anyone who is a Karate Kid fan, there are lots of memories from fellow cast members about making those films, including the famous “wax on, wax off” moment, and discussions around the studio not wanting Morita to play Mr. Miyagi, due to concerns about casting a comedic actor who played Arnold on Happy Days in the role.

The documentary also provides more context on how Morita developed the legendary character of Arnold, which has a connection to the cook who worked at the Chinese restaurant run by Morita’s parents.

Even if you’re not the biggest Karate Kid fan or you never really watched Happy Days, there’s plenty to learn about Morita in More Than Miyagi that will hold anyone’s attention.

“I think people need to understand how much he achieved during his career, considering all of [the] obstacles,” Alvarez said.

From a body cast, to an internment camp, to the stage

Morita was diagnosed with spinal tuberculosis at age two and spent nine years in a hospital, immobilized in a body cast for seven years. An experimental surgery allowed him to beat the odds and walk again but just a few years later, the Japanese attack on Pearl Harbor in 1941 led to another traumatic moment in Morita’s life.

When Morita was able to leave the hospital in California at age 11, he was taken by the FBI to join his parents at an internment camp with other Japanese Americans in Arizona.

This is really just one piece of the complicated life Morita lived, going on to fulfill his dream of being an entertainer, starting out as a stand-up comedian under the same agent as fellow comedian Lenny Bruce. You’ve probably heard that name if you’re a fan of the Amazon series The Marvelous Mrs. Maisel.

Morita’s third wife, Evelyn Guerrero, is actually Bruce’s cousin. She originally met her husband when she was a teen but they reconnected later in life and ended up getting married. Much of the film is told through her narrative, sharing her personal memories of their lives together, including the impact Morita’s drinking had on their relationship.

More Than Miyagi shows the stark and tragic reality of Morita’s alcoholism, a significant factor that led to his death in November 2005. The film reveals an incredibly a heart wrenching moment with the cast of Happy Days during 30th anniversary reunion of the show, where Morita’s drinking prevented him from participating in all the events with the cast.

“That hit home for me because I had an uncle who lived with us for about, maybe two or three years of my life [when] I was in junior high, and I know what that's like,” Alvarez shared with Yahoo Canada.

“When you watch the documentary you hear what he went through, all of his struggles, I mean I'm surprised he didn't do anything worse to himself.”

Morita’s daughters decided not to participate in the documentary, but they have publicly spoken about him in the past.

“At the time of his passing in 2005 at age 73, my father was a forgotten star,” his daughter Aly Morita wrote in a piece for Hyphen Magazine in 2010. “He lived in Las Vegas, separated from his third wife, unable to land any jobs because he was too old and still riding on the coattails of his Karate Kid heyday.”

“His fans remembered him; the Asian American community remembered him. But he was of no value to Hollywood. After enjoying the bounty of success for a good 10 years after the first Karate Kid film, he was just another washed-up movie star.”

‘Still a problem that we have right now’
While the documentary largely focuses on Morita’s life in particular, Alvarez and director Kevin Derek made the decision to spend some time discussing the portrayal of Japanese people in Hollywood films, and the type of roles that Japanese actors are cast in, both previously and today.

Examples of prejudices in films include Mickey Rooney in yellow face as Mr. Yunioshi in Breakfast at Tiffany’s, called out by many for being racist, with Rooney’s character looking like caricature depictions of Japanese people during World War II.

Morita himself experienced limitations on possible roles for him to play, and Alvarez said this was a particularly important to include in the documentary because it is “still a problem that we have right now.”

A more recent example is Ghost in the Shell, which originated as a Japanese manga series but in 2017 the lead character Major was played by Scarlett Johansson. Additionally, Tilda Swinton’s character The Ancient One in Doctor Strange in 2016 was criticized for whitewashing as the character is depicted as an Asian man in the comics.

This break from the purely Morita-led storyline in the film was certainly welcome, providing additional context about the entertainment industry the actor longed for, even if it was seemingly working against him, and why Morita is such an important actor in Hollywood history.

“I think it was important because I think we need to understand that all those odds are up against him, and he's still persevered, he still went as far as he went,” Alvarez said.

More Than Miyagi: The Pat Morita Story is available on iTunes and other VOD platforms on Feb. 5.

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Something I just thought of



Why doesn't Kreese have any children or never got married?


Was he too fukked up from the things he saw in the vietnam war to do so?? :mjlol::lolbron:


Then again Mr. Miyagi was in World War II and he still got married and was going to have a family.



EDIT: I haven't watched Season 3 yet so don't know if they answer those question in Season 3.
 

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At Netflix, 'Cobra Kai' broke out. Now its whiteness is under a new spotlight

Fans have quoted it for decades: "Sweep the leg!" "Get him a body bag!" "Wax on, wax off." Now, more than 30 years after "The Karate Kid" crane kicked its way into pop culture history in 1984, the mythos has been reborn for the digital age.

Make that reborn again. After debuting on YouTube Premium in 2018, breakout spinoff "Cobra Kai" last year moved to Netflix, where the series, whose third season premiered on the platform New Year's Day, received more attention than ever. (Season 3 was originally produced for YouTube before the company shifted its original programming strategy.)

Ralph Macchio still remembers the moment it sank in that he'd get to come back for more as Daniel LaRusso, the scrawny San Fernando Valley teen befriended by Noriyuki "Pat" Morita’s martial arts master, Mr. Miyagi. “[Producer] Jerry Weintraub put his arm around me at the end of a screening and said, 'We’re gonna be making a couple of these,'" said Macchio, now 59.

The sleeper hit spawned sequels, including the Okinawa, Japan,-set “The Karate Kid Part II” in 1986 and “Part III” in 1989. A Saturday morning cartoon even reimagined Daniel and Mr. Miyagi as globe-trotting adventurers. But by the time a fourth film was made — 1994's “The Next Karate Kid,” starring Hilary Swank — Macchio and onscreen rival William Zabka, as blond bully Johnny Lawrence, were looking to branch out.

Improbably, the duo have slipped back into their roles decades later on "Cobra Kai," in which the middle-aged Johnny — a down-and-out alcoholic stuck in the glory days of his youth and still stinging from his defeat at the '84 All-Valley Karate Tournament — takes on his own teen protege, Miguel Diaz (Xolo Maridueña), and reopens the dojo where he learned his all-American style of "No Mercy" karate. Daniel, meanwhile, is a bonsai-pushing car salesman milking his karate glory to promote his business. The students have become the teachers — but are either of them their best selves?

"For me, as much as the show is karate-centric, it’s not about karate," said Zabka, 55, who has added work behind the camera to his resume in the intervening years, nabbing an Oscar nomination for the 2003 short "Most." "It’s about humans. It’s about adults trying to find their way, putting things behind them, struggling. And that’s what every character in the show has in some way."

Likable characters, high-energy fights, suburban melodrama and '80s dad-rock have fueled the three seasons of "Cobra Kai," with a fourth already planned — and its semi-satirical approach to slinging nostalgia while expanding the "Karate Kid" mythology into a multigenerational saga has proved popular. On YouTube, the first episode has amassed more than 98 million views, and the third season swiftly unseated steamy Regency-era romance "Bridgerton" in Netflix's ranking of its top 10 TV shows.

For creators Jon Hurwitz, Hayden Schlossberg and Josh Heald, spinning the films they grew up on into a fresh narrative — and dreaming up new characters, like Daniel's teenage daughter, Samantha (Mary Mouser); Johnny's estranged son, Robby (Tanner Buchanan); and Cobra Kai's star student, Miguel — has allowed them to dive ever deeper into surprisingly poignant themes.

Examining how Johnny and Daniel remain chained to the past, for example, was a fertile springboard for contrasting how their worldviews had diverged so starkly. "We try to approach our characters not from a place of judgment but from a place of understanding," said Hurwitz. "And by doing that you’re allowing for the possibility that anyone has the potential to grow and anyone has the potential to evolve and progress in this world."

In the series' heightened, karate-obsessed version of the Valley, ex-jock Johnny teaches his aggro style to a school of misfits while Daniel revives Miyagi-Do in his late mentor's memory. As their bitter rivalry escalates, "Cobra Kai" explores more complex emotions as characters learn the hard way that there are no bad students, only bad teachers — and that violent karate brawls do, in fact, have grave consequences.

For its next-gen stars, the series is already opening doors, especially with the jump to Netflix.

"‘Cobra Kai’ has been a huge shift for me, career-wise," said Mouser, 24, who hadn't done stunt-intensive work until being cast as the next LaRusso and jumped at the chance to don a gi when her character reignited her love of karate in the second season. "No matter who it was, we were all treated as equals and as fellow creatives, and that was a turning point for me: This is what it feels like to have my voice heard and to feel like I’m cocreating this character."

Like his cast mates, Buchanan, 22, saw his social media following skyrocket when the show hit Netflix. After a decade of credits including "Designated Survivor" and "The Fosters," his portrayal of misunderstood karate prodigy Robby brought new opportunities. Buchanan is now looking for projects to produce and wrapped a lead role in Miramax's "He's All That," a gender-flipped remake of "She's All That." "I know I got that meeting a little bit," he said of the producers, "because they were like, ‘We just binge-watched "Cobra Kai".'"

Maridueña, 19, made his screen debut on "Parenthood," a show he credits with turning acting from something to do to pay for college into a full-on career. The native Angeleno landed the role of Miguel, the neighbor kid who eagerly strikes up a LaRusso/Miyagi dynamic with Johnny, during his own junior year of high school. It's not lost on him that when he won the "Cobra Kai" role, his casting was heralded as a groundbreaking role for a Latino performer. Now his goals include getting behind the camera and powering his own inclusive projects.

"While I would love that inch to turn into a mile. It needs to be just the beginning," he said. "The stories that I want to write are stories that are authentic to the people that I grew up with."

The key to the series remains its deft interweaving of past and present with the DNA of the original films. After bringing back "Karate Kid" villain John Kreese (Martin Kove), who promptly orchestrates a hostile takeover of Johnny's students, "Cobra Kai" doubles down on the sadistic dojo founder's Vietnam War backstory in its third season.

Kreese's elevation, and the heightened scrutiny that comes with being embraced by one of the most powerful companies in Hollywood, also underscores the fact that there are now three white men at the center of "Cobra Kai," a franchise rooted in and deeply indebted to Eastern tradition. Morita, who earned an Academy Award nomination for his performance in the first film and died in 2005, appears in flashbacks in the series, and both Yuji Okumoto and Tamlyn Tomita reprise their roles — as Daniel's rival and ex-flame, respectively — from "Part II" in Season 3 guest arcs. Supporting characters of color also saw expanded roles in the new season. But after 30 episodes on two platforms, "Cobra Kai" has yet to cast an Asian lead.

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"Except for the Latino character of Miguel, all the other people of color are outside of that main cast, so it actually doesn’t show as a diverse show in a sense," said Ana-Christina Ramón, coauthor of UCLA's annual Hollywood Diversity Report, which designates leads as the top eight credited regular actors. (Across the industry, the report found that white characters made up 75.9% of the leads in digital scripted series like "Cobra Kai" in the 2018-2019 season, while 5.9% of leads were Latinx, 4.7% were Black and just 1.8% were Asian.)

A number of critics have taken notice of the series' whiteness as well: Salon culture senior editor Hanh Nguyen, who has been critical of the series in the past, told The Times that "the only main character of color who has any sort of interiority is Miguel." "Danny LaRusso, Italian kid from Jersey," as Vanity Fair's Sonia Saraiya put it about the first two seasons, "is the most Japanese character on this show."

As Times TV critic Lorraine Ali writes, "Cobra Kai" has successfully mined laughs and pathos from Johnny's transformation through his proximity to an immigrant family. It's also scrutinized how Kreese's brand of karate perpetuates a cycle of militant toxic masculinity. But it has been slow to explore Daniel's own blind spots beyond a moment of clueless "sushi-splaining" and his bewilderment that his karate-chopping commercials might be seen as cultural appropriation.

"The thing I’d like to see them do is to go beyond this suburban idyllic space, this white pocket dimension, more deeply," said writer and podcaster Jeff Yang, who has covered the series for Quartz. "What if they actually did encounter people who embraced martial arts not just to overcome bullying, but because it’s part of a larger tradition that exists within people of color communities?"

Sending Daniel back to Okinawa in the third season to reunite with Kumiko (Tomita) and Chozen (Okumoto) is a step in that direction, allowing the show to "feel what was missing," said Heald. "To acknowledge that there’s a big missing piece because of Mr. Miyagi and come to the point of appreciating that it’s not just Mr. Miyagi, it’s everything that he touched and that touched him."

The return, which Macchio himself had pushed for and on which Tomita and Okumoto consulted, results in some of the series' most resonant payoffs. "I wanted him to evolve as a character," said Okumoto of the once dangerously prideful Chozen. "I didn’t want him just to be there as a person to push the story along. I wanted him to go through a journey, to go through a soul-searching."

Heald, Hurwitz and Schlossberg, who are writing the fourth season, say they're well aware of the criticisms. "Having made ‘Harold & Kumar Go to White Castle’ we’ve been particularly sensitive to Asian American representation in movies and television," said Schlossberg of the 2004 comedy, starring John Cho and Kal Penn, which he cowrote with Hurwitz. While there are no writers of Asian descent on the "Cobra Kai" writing staff, the trio emphasized that when it comes to elements such as Gōjū-ryū karate, on which the Miyagi-Do style is based, and certain Japanese cultural details, they have leaned on actors like Tomita, Okumoto, stunt coordinator Hiro Koda and original "Karate Kid" screenwriter Robert Mark Kamen for guidance.

"We would have loved if there was a Miyagi son or daughter that was floating around in the lineage and the canon of the movie to play with," said Heald. "But we inherited the story that felt like the natural continuation, where for better or worse you are dealing with Johnny and Daniel as your protagonists."

Maridueña, who credited the showrunners for thoughtfully integrating Ecuadorian heritage into Miguel's story, acknowledged that the world of "Cobra Kai" doesn't always reflect the diversity of its San Fernando Valley setting, which according to 2019 U.S. Census figures is 42% Hispanic. "If you live in the Valley, and really the greater Los Angeles area, you know there are so many different Latinos, Black people, people of Asian descent," he said. "And while our show is catching up, I think a lot of shows, like everything in Hollywood, feel like they're catching up slowly."

Schlossberg cited casting limitations in Atlanta, where the show is filmed. "When it comes to background casting, we are limited [in] making a high school on our show look exactly like a high school would look in Reseda," he said. (According to U.S. Census figures, Hispanics make up 5% of the population of Atlanta and 10% of the population of Georgia, while Asians make up 5% of the population in the city and 4% statewide. Atlanta is 48% Black, while Georgia as a whole is 32%.)

Yet visual representation such as that seen in the hallways of a high school is just the first step toward meaningful representation, said Ramón. "Do you get to hear their stories being told? Meaningful representation means you get to find out the person’s story from their perspective."

As they ride their Netflix bump into the first season produced in COVID-19 times and under the streamer's banner, the creators declined to comment on details of upcoming seasons. They did, however confirm that introducing characters of Asian descent "is definitely something that is in our plans going forward" and teased the possibility that familiar faces like Aisha, the kindhearted Cobra Kai student (played by actress Nichole Brown) who was conspicuously written out of Season 3, could very well come back to West Valley High in the future. "Any character who has appeared in the ‘Karate Kid’ universe has the potential to return," said Hurwitz.

Making more seasons means more chances to bring in new characters, they say. "Each season as we’re writing, we’re looking for new underdog stories and new characters to populate the universe," said Heald. "We always have our eye towards representing today’s society as richly and as accurately as possible."

They're gonna be making a couple of these.

This story originally appeared in Los Angeles Times.


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Kareem Abdul-Jabbar: Why Bruce Lee Would Have Loved 'Cobra Kai'

Columnist Kareem Abdul-Jabbar, a friend and student of the late martial arts great, watches the Netflix 'Karate Kid' update with him in mind: "He would have loved that the show doesn’t take itself too seriously."
Netflix recently launched its third season of Cobra Kai, the “Where Are They Now” update of The Karate Kid movie franchise. Rather than the rip-off we might have expected, the creators have served up three seasons of clever and surprising storytelling that captures the moral simplicity of the '80s movies but with some unexpected character nuance and genuine emotion. Heresy alert: It’s actually better than the movies.

The Karate Kid’s initial success in the '80s can easily be linked to the international phenomenon of martial arts popularized by its most energetic promoter and biggest star, Bruce Lee. Without him, we’d have had The Uppercut Kid and Jason Statham packing heat instead of a spinning whip kick. Bruce was my teacher and friend, and he often spoke about his mission for martial arts to become not just action movie fodder, but a spiritual guide for living a richer life. He knew for that to happen, the world must first enjoy the entertainment and athletic aspect of the practice before embracing its spiritual side. Cobra Kai attempts to balance the combat with the conscience. Mostly it succeeds. Bruce would have been greatly delighted by the parts where it does and mildly disappointed in the parts where it doesn’t.

I first heard about Cobra Kai when I was writing on Hulu's Veronica Mars series. Several writers extolled its virtues, but it was on YouTube Red then and I wasn’t a subscriber. So when it showed up on Netflix, I dove right in, and I could immediately see why they liked it so much. Rather than just being a coming-of-age story like the movies, it was a redemption story for the first movie’s teenage villain, Johnny Lawrence (William Zabka). Thirty-four years after he got crane-kicked into oblivion, Johnny is now a 50-something handyman stuck in the '80s who lives on gas station food and grudges. He’s still got good martial arts moves, but he lacks any of its spiritual grounding.

Bruce would have loved this reimagining because he saw martial arts not just as a way to defend against enemies, but as a way to defend against one’s own self-destructive impulses. Martial arts heals because it helps one identify their problems and adapt to solving them. Johnny’s character arc over the three seasons is of someone who believes the brutal teachings of his evil sensei, John Kreese (Martin Kove) — “strike first, strike hard, no mercy” — over a more evolved Bruce Lee philosophy of toughness with compassion. It’s important to win, but more important to be fighting for something worthwhile.

Don’t worry, Daniel LaRusso (an ageless Ralph Macchio) is also back as a highly successful car dealership owner and family man trying to live up to the teachings of the deceased Mr. Miyagi. Rather than the put-upon innocent of the films, he’s a bit smug and pompous, which means he also has a redemptive journey to go through. This is a family show, so it also features Johnny and Daniel’s teenage children in a complicated shuffling of filial loyalties, musical-chairs romance and the usual high school bullying. Watching the adults struggle with their own childishness and insecurities, despite all the Zen teachings they spout to the children, is one of the more rewarding aspects of the series.

At its heart, the show’s conflicts stem from the battle between the philosophies of the Miyagi dojo and the Cobra Kai dojo, with the former teaching the way of water, gently adapting to the forces that would destroy you to defeat them, versus the latter’s way of fear, using the hammer to pound the enemy into submission. It is the spirituality of monks who use karate for self-improvement versus the worldliness of bullies who use it for material gain. Generally, the story stays true to this ideal, though the Miyagi kids often slip in order to serve up some whup-ass action scenes. Bruce, who had an extensive library of philosophy books, would appreciate the attempt to teach these values to a young audience. Bruce, who also appreciated humor and was quite the jokester, would have loved that the show doesn’t take itself too seriously. In fact, it is much funnier than the movies.

Where Bruce might have quibbled is in the portrayal of the actual martial arts moves. Because it’s a family show, the punches, kicks and combinations often seem designed to be less aggressive. Fight scenes are generally slow and awkward, lacking the exciting artfulness that combines speed, grace and an edge of danger. Perhaps the show believes this is, realistically, how kids that age with that level of training would fight, but it’s the same when they show more experienced practitioners, including Daniel.

By contrast, Cinemax’s excellent and exciting Warrior, based on a Bruce Lee treatment, is a celebration of the potential of martial arts, with exceptional displays of fighting skills. Of course, it’s a much more adult series in every way, but there’s no reason the artfulness that excited Bruce’s fans and made martial arts an international success can’t be highlighted more in Cobra Kai.

The occasional eye-rolling lapses in story logic are amusing. The massive karate fight in the school corridors goes on for quite a while, with no interference from any teacher (which they attempt to lamely explain later). Also, rather than deal with what it would look like if cops and lawyers were brought in — especially after a violent home invasion in season three — they choose to pretend the cops are so incompetent that they would ignore it. This fudging of realistic behavior makes it slightly less believable, even within its '80s tone dome.

The show’s considerable strengths far outweigh these minor flaws. I like to think Bruce and I would have loved sitting on a sofa together enjoying the delightful Cobra Kai, while he lorded his great head of hair over me and reminded me of the times he kicked my ass when I was his student.

Kareem Abdul-Jabbar, an NBA Hall of Famer and the league's all-time leading scorer, is a recipient of the Presidential Medal of Freedom and a columnist for The Hollywood Reporter. Follow him @KAJ33.
 

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As a :flabbynsick: who saw the first 2 movies in theaters, had the action figure that did the chop & wore the headband playing with friends....i was hesitant about this....


...Decided to finally watch this and BINGED last week. I love this series

The callbacks to the OG films & 80s in general were well done.

Johnny is carrying this series on his back. The one liners & the fact he's not pc is great. He was able to cure Miguel's asthma & paralysis :lolbron:

Johnny & his damn Iron Eagle & Coors Banquets. Which is funny since you had 2 OG Cobra Kai members in that film

The Rambo Easter egg... Daniel's wife calling Kreese that + the pic of him in 'nam hanging from the wall is from that film. Dude was living in a shelter too, damn.

With the way his family is, I'm surprised Daniel didn't end up with some hot blooded Italian woman like the lady that got Johnny fired



Damn, Hawk lost his girl....to a girl



It's crazy how Johnny actually found a match during the online dating scene, but he has feelings for Miguel's mom

Robby looks like a young Shawn Michaels

Miguel's abuela is hilarious. From smoking weed, telling Johnny in Spanish not to get her daughter pregnant, to saying Miguel was jacking off in his room

The only thing that was kinda ehh, was the stuck up chick getting with Demetri.

Daniel's wife to Ali - 'Oh, they have warring karate dojos.'
:mjlol:


And this song has to be in S4..



Daniel LaRacist :laff::laff::laff:
:lolbron:
Ee4jS2QUcAAJ6xc.jpg



When is season 3 dropping, that whole high school ass rivalry was getting real boring but wtf mayne!!! Not my boy— not my dude.
That pic :deadmanny:

When he corrects Daniel at the council meeting saying council person and is thanked for it after getting Amanda thrown out of the meeting was his crowning :umad: moment. His entire role this season was a mixture of :smugbiden: and :ufdup:
:lolbron: i used that clip recently..



if I was a woman I’d probably be a whore so me and the landlord woulda had fun plus I’d get paid for it
:whoa:
 
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