No Limit Records Stories

We Ready

The Malarkey Cutter
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Who's playing the role of The Godfather on Silkk's 'Give Me the World"?

I always pictured it being Boz in my mind
 

Black White Sox Hat

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1 Big Boy Records artist

2 this came out before Me Against The World/Dear Mama

3 classic rare album out da boot

4 you're a grade A moron
Ok i'll take the L if it really came out before.Rest of the album banging but that shyt made me laugh.

If nobody told you you'd swear G-Slimm from West Coast.I don't know if he had had ties out there or what but he got that heavy west coast gangsta lingo all over that bytch.
 
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GASign

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For ya'll who remember this album cover....



0















Thoughts on C-P-3.com?

That was his absolute worst album imo. The one he got w/ Boosie and Bub is worth it tho.

CDAL10646_324.jpg
 

JustCKing

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^^^ I haven't seen the whole interview yet because it's long, but a lot of questions regarding No Limit in the past 20 years were answered here. Hearing him talk about Silkk made me understand why Silkk rapped like he rapped. According to Fiend, Silkk didn't talk much, but when Fiend recalls a conversation he had with Silkk and impersonates Silkk, Silkk pretty much talked how he rapped back then. It was this weird stop and go, speed talking that sounded how he rapped. Also, Fiend wrote much of Street Life while on tour with No Limit in Europe, which explains "Trip To London". The story of how Mac's "Be All You Can Be" came together was dope too. Fiend basically used the melody from a George Michael song and wrote his own version. He talked about sleeping on the floor of Mac's house (not because he was broke), but because it was closest to the studio. Fiend had his own condo because he basically wanted to be in the studio so much, he slept on the floor of Mac's house.

Also, the order you heard them rap on the songs on the record was the order they were recorded in. And I mean, each wrote their verse on the spot or at least had a verse ready to go. Fiend recalls them writing on the walls and othe floor of the studio while recording "Make Em Say Ugh".
 

Alvin

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^^^ I haven't seen the whole interview yet because it's long, but a lot of questions regarding No Limit in the past 20 years were answered here. Hearing him talk about Silkk made me understand why Silkk rapped like he rapped. According to Fiend, Silkk didn't talk much, but when Fiend recalls a conversation he had with Silkk and impersonates Silkk, Silkk pretty much talked how he rapped back then. It was this weird stop and go, speed talking that sounded how he rapped. Also, Fiend wrote much of Street Life while on tour with No Limit in Europe, which explains "Trip To London". The story of how Mac's "Be All You Can Be" came together was dope too. Fiend basically used the melody from a George Michael song and wrote his own version. He talked about sleeping on the floor of Mac's house (not because he was broke), but because it was closest to the studio. Fiend had his own condo because he basically wanted to be in the studio so much, he slept on the floor of Mac's house.

Also, the order you heard them rap on the songs on the record was the order they were recorded in. And I mean, each wrote their verse on the spot or at least had a verse ready to go. Fiend recalls them writing on the walls and othe floor of the studio while recording "Make Em Say Ugh".

He got another dope interview with bhigh too, check out his interviews with DJ smallz and dirty glove b*stard too
 
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