fukk, youre right. I can totally hear DOOM on thisThis is edging over pushas album the more I listen to it
I listened to several tracks multiple times in a row just to digest them.
Kiosk is a classic to me and after finishing I thought DOOM (rest in peace) would have been perfect on it
I wish they were lying in they raps
Gave it a good review
Even Fantano couldn't hate on this
Watched some reaction vids and the trend I’m seeing is Lupe’s winning over fans that either gave up at Lasers or found T&Y/DW too overwhelming. He’s bodying flows all day like it’s Enemy of the State again and the few concepts on here are easily digestible, closer to what he would come up with on the first 2 albums. That said, it’s still his most airtight writing next to T&Y and I think the quick turn around time is to thank for that. He’s pleasing both audiences again, cause if you really want to go digging, there’s plenty to unpack. Ms. Mural is the best example of that. You never need to understand the Joan of Arc subtext, it already succeeds as good storytelling on the surface and you can be satisfied with just that. Naomi is the only truly elusive/coded song on here as its messages of segregation and monetizing tragedy are buried under a fun, just shut up and dance (swing music) vibe. Kinda like Dumb It Down, I guess.
Ah, I saw where that was going (if there was no that, there would be no this) quick lol and tapped out. And by quick turnaround, I meant that he only spent 3 days from concept to completion. Every album's development outside of The Cool spanned around 2-4 years (from oldest song to newest) and it was often gathering whatever songs he already completed and trying to make them work with new ones. It's not a bad approach, but it will be different than knocking everything out all at once. There's not enough time to overthink things and you have the cohesion of being in the same mind set for the whole album, on top of working with one producer.I agree with the quick turnaround.
I watched a review with two guys, one was very irritating but he said something I agree with. He was comparing Lupe to Rakim and he pointed out that R never had more than 9 -10 songs on his first albums because when you’re that lyrically gifted it’s best to keep it concise.
That’s what exactly why this project is so great. It doesn’t drag not does it contain filler because it’s so short and focused
Yeah for the “Lupe is too abstract/cryptic crowd to enjoy” the wind in their sails got took outWatched some reaction vids and the trend I’m seeing is Lupe’s winning over fans that either gave up at Lasers or found T&Y/DW too overwhelming. He’s bodying flows all day like it’s Enemy of the State again and the few concepts on here are easily digestible, closer to what he would come up with on the first 2 albums. That said, it’s still his most airtight writing next to T&Y and I think the quick turn around time is to thank for that. He’s pleasing both audiences again, cause if you really want to go digging, there’s plenty to unpack. Ms. Mural is the best example of that. You never need to understand the Joan of Arc subtext, it already succeeds as good storytelling on the surface and you can be satisfied with just that. Naomi is the only truly elusive/coded song on here as its messages of segregation and monetizing tragedy are buried under a fun, just shut up and dance (swing music) vibe. Kinda like Dumb It Down, I guess.