According to critic Edward Dupris, Mento musicians were quick to adopt the R&B styling because of its "smooth rolling rhythms." (pg. 132) However, towards the end of the 1950s, local musicians began to fuse native Mento rhythms with the popular imported style to create music termed Ska. Dupris states that both a difficulty importing R&B records and declining Jamaican interest in the stagnate pool of R&B records on the island lead to this change. In a recent interview, Laurel Aitken described the development of Ska this way:
In the '50s we used to listen to American rhythm & blues from New Orleans. Everybody used to dance to that music in Jamaica, but in the '50s our music there was Calypso, which come from Trinidad, and we took Calypso and mixed it with the rhythm & blues and we turned that into Ska. So part of the roots of Ska music is from America. & Ska music is American rhythm & blues and Jamaican calypso and it went from there - that's where Ska come from. We used to listen to men like Smiley Lewis, Joe Turner, Roscoe Gordon, and all these guys in the '50s and we were influenced, I was influenced, by Roscoe Gordon because he played a downbeat boogie. Roscoe Gordon is an American black singer and I was influenced by him. Not only me, but other guys during that time was influenced by him because it was very popular - the boogie-woogie stuff. And as I said, we mixed the boogie-woogie stuff with calypso and that's where Ska came from, as simple as that. (Urfer)