anyone got a link to this they can spare?
http://www.atrilli.net/anyone got a link to this they can spare?
they love when we kick that hood shyt...now when we get into that black fist in the air shyt...that's another story
This was basically Hidden Colors, a Spike Lee joint, and 7am in musical form. Classic blackness that we need at this very moment. I love this album. I don't think any CAC could come close to stealing this flow, like that fat CAC stole Ghostface's
Post your pic. We need to confirm your black card before we answer this goofy shyt seriously. Somethings not right within youMaybe I'm missing something, but what was so empowering and conscientious about this album? How is it "classic blackness"? Because he calls himself a "proud monkey"? Because he says "don't shyt change unless you wash your ass"? Because he compares black-on-black crime to the Trayvon Martin case?
I honestly want to know. What am I missing? What have I overlooked?
nikkas hear that jazz and zone outMaybe I'm missing something, but what was so empowering and conscientious about this album? How is it "classic blackness"? Because he calls himself a "proud monkey"? Because he says "don't shyt change unless you wash your ass"? Because he compares black-on-black crime to the Trayvon Martin case?
I honestly want to know. What am I missing? What have I overlooked?
It just flows perfectly
Heard it again today, this time in the whip wit my nikkas
I hate that I spoiled myself to The Blacker The Berry, if I didn't know about it, it literally would've been the greatest climax I've heard on record. The buildup to that song is just perfectly executed.
another thing is that if people are still talking about this album being a modern g-funk album then they have a short attention span. When you get past King Kunta the only thing that's jazz/funk about this album is i. It's a hip-hop album through and through, with crossover R&B beats but almost no R&B artists do the hooks
It's a classic.
I don't even skip the songs I kinda consider skipping.
That chorus on how much a dollar cost hyyyyyyyyyyyynnnnnnn and them vibrations on walls can talk.
That nikka who killed kendrick boy feeling that ETHER.
Lupe also doesn't use skits with amazing spoken word for the listeners
Lupe also doesn't change his voice to connect his storytelling even more
Kendrick does this so perfectly though
U killed the homie but you locked up where nikkas don't fukk with you.If only Banks could... nvm
The transition from Complexion to Blacker The Berry is INSANE. That calm feeling Rap's verse and the beat change up give you...into the monologue...into the sinister feel of BTB is
I second every word of your post fam. And just to think, a few hours ago I thought the album was iight and that Rosenberg was overreacting, but fukk what anybody says, this is gonna be an undisputable classic. And if nothing else, it's solidified, Kendrick's the best RAPPER (not most popular, not most hype, not most charismatic, but the BEST overall rapper) in the game. Who was the last artist to debut with two back to back classics, that's still living? And "ether" don't even do justice to what he did to that boy on "These Walls"...that shyt is borderline suicide-inducing if you put yourself in ol boys shoes, listening to that shyt...Goddamn
The rhythms and melodies are nostalgicMaybe I'm missing something, but what was so empowering and conscientious about this album? How is it "classic blackness"? Because he calls himself a "proud monkey"? Because he says "don't shyt change unless you wash your ass"? Because he compares black-on-black crime to the Trayvon Martin case?
I honestly want to know. What am I missing? What have I overlooked?
Who was the last artist to debut with two back to back classics, that's still living?