RZA sees the catastrophe as a symbol. “For me, that same f*cking flood keeps popping up in my life. It popped up twice in the course of Wu-Tang [Clan]. As soon as we had finished [
Enter The Wu-Tang: 36 Chambers], I already had Inspectah Deck’s [
Uncontrolled Substance] album
, Method Man’s [
Tical] album prepared. Because back in those days we had floppy disks and I would make all the beats – Method Man’s session, Deck’s session, [
Raekwon’s Only Built 4 Cuban Linx…] session, and
I was ready to go. Here comes the flood that wiped away about 160 floppy disks. Because I didn’t think there’d be a flood. I had [the disks] on the floor, under the keyboard. You don’t think. Wu-Tang [Clan was] out doing some shows in Cleveland, whatever. [We came] back–water’s up this high, washed that all away. [We went] back to the drawing board. Cool.”
More than a year later, RZA says he was storing disks more carefully. After the creation of 1995’s
Only Built 4 Cuban Linx… and
GZA’s Liquid Swords, nature struck again.”Now, my studio is built. Everything is [stored up high], off of the floor. I feel like life is good. I just created [two acclaimed albums] and another flood comes. Higher. [It] destroys the tape machine, the board we had, [and other equipment].