did you not hear the gettin jiggy remix with pun and cam?
cam repaired his cultural standing.
signaled by cam, rebelling against the jiggy cadre of wackiness that helped create the profitability and draw.
that he gravitated towards to get signed with mase/un/puff/jay.
finally closing out his attention to cultural responsibility administratively as a label owner.
originally, his signing and cof debut.
was viewed as an extreme departure of the ditc/finesse/big L/eight is enough family tree culturally.
after mase, also abandoned said roots and his original delivery with coc.
both dumbed down, vocally as talents.
plus, their perception were dulled long term at the time.
to the point,..
in this community and culturally cam was a laughing stock.
not to mention,..
I was never a supporter of his during this era at all.
as it is well documented when became a supporter of cam'ron on rocafella with the pr of jay's coup attempt.
then, later his release of purple haze and his comeuppance of skill vocally, and as a more solid technical marvel.
closer akin, to the development he should have featured originally.
being an offshoot of ditc/finesse/big L/eight is enough crew.
also,..
before cam returned back from the darkside culturally.
he was loathed in this community.
which was signaled by the dipset spam movement.
which, originally amplified the apathy towards cam and his jiggy allegiances.
cam, was not always an accepted figure for his choices, culturally.
seeing as his pedigree comes from the family tree of ditc/finesse/big L.
also, speaking of ditc.
ditc, also soul't out.
on their group lp, and diamond d's second album ode to jiggy-ism.
after his success as a producer on the fugee's the score lp.
that was a departure from stunts, blunts and hiphop.
of, which fatjoe was part of the collective.
on top of being the management/mastermind behind pun.
where, pun, was on the slippery slope.
here and there,...
that after pun's death, was evident by fatjoe completely selling all the way out.
when, he made jose ii, and was jumping in swimming pools in powder blue fur coats in 2001-2002.
coupled with fatjoe's nas biting during the mid nineties.
that even common called him out on, as his labelmate 1995.
I know this culture, breh.
learn your history and the past of the rap industry.
stop letting culture thieves get away with destroying your culture.
if you were an indian,.....
whom, never received reparations.
by you ignoring the actual facts.
you would gladly accept that smallpox gift package of blanketing.
if you accept what people in the industry.
have allowed and done to the culture through business and the publically traded prison industry complex.
art barr