I don’t think NY was downplaying any regions though. But because everything was coming out of NY and all the labels were here, the South seemed to feel "less than" for whatever reason. The West and Midwest never felt that way. Everyone was just doing their own thing. The South, even today, always seemed to have this 'We can be dope too" thing, that no one ever questioned.
Dallas Austin was speaking on it, saying that the South always felt left behind during those years. But it wasn't like NY was responsible for holding anything back. I never understood that whole thing, which is still what people in the South say today. As kids in the 90's, we just copped whatever was dope. Never cared where it came from.
I think the West doesn't have a bag complex because they had their own entertainment capital/world class metropolis that could compete and exist on its own if necessary. The Midwest's capital (Chicago) wasn't an entertainment hub but I believe they were able to escape the complex the South has because in contrast to the South, they had......
Technical ability. The Midwest embraced rapid-fire cadence and emphasis on syllables, so even if a rapper ran without elite similes and metaphors, you couldn't say they was doing something basic.
The South cares more about instrumentation and doesn't want the performer to "do too much". Kids in the 90s may have bought whoever, but this seemed to be a publication and rap peers issue. They weren't respected as great lyricist, and while there's a degree of truth to it outside of a few, it's gonna give them that chip on the shoulder.
And of course they didn't have a entertainment/cultural hub, which is what Atlanta would become and why people see it as the, or at least a, "black mecca", because like it or not, hip-hop is the dominant current of Black culture. So when ATL and The South started pumping out dozens of acts, one hit wonders and lasting powers alike, while New York didn't have that "King" anymore, to them that was their karmic get back.