They do have a whole catalogue of them, in fact they had a biopic the same year as Hidden Figures about an intelligent black woman overcoming classism and racism, and a black man and his wife sacrificing higher pay to be a mentor and teacher to black youth.
Queen of Katwe.
This was a beautiful, funny, light, but complicated and nuanced film at the same time. Like it didn't just focus on the intelligence of the lead character, it focused on how her brilliance made the other characters happy, and proud, and insecure, and fearful, and reluctant to trust the notoriety that came with her being "different" from the rest of them. It was one of the most honest and human things I've seen all year.
Lupita was amazing in her performance of a nuanced, flawed, but genuinely wonderful mother of a prodigy, and should have gotten award buzz. It was a great film- and no one went to see it.
If I were to watch those two films back to back, I would see that both are PG movies, both are light hearted and funny, both are true stories with inspiring endings, both portray black people in positive lights (including black marriage), but Queen of Katwe just felt so much more like a better made film. The characters werent types, they were fully realized, 3 dimensional, brilliant in some ways but flawed in others. Even the lead character was humble at times but arrogant when she displayed her talent, but you understood why because of certain scenes in her past.
In Hidden Figures, all of the characters were just types, and could be transplanted from movies like The Help - the sassy one, the quiet one, the motherly one, the white person that means well, the white person that doesn't mean well. That lack of depth to me is what stops it from being great, not it being light, especially when I have a movie released in the same year to contrast it to.
I'm still hesitant to say anything negative about Hidden Figures because the audience loved the film when I went opening night while I sat in an empty theater for Queen of Katwe. These type of light "racism was fixed with a powerful speech" films with these type of fun, sassy, quippy characters connect with general audiences, of all races and age types. They can laugh on cue, cry on cue, clap on cue, and leave the theater feeling good. For that I see why it works and hope that it continues to make people laugh and cry and feel good. But it was missing critical elements for me to personally see it as a step above any of the other similarly themed films, give or take a few scenes of performance from the amazing lead actresses.