IllmaticDelta
Veteran
Rapping and DJing come from older American culture, yes. That's not what's in debate though.
What's in debate is just how big of a Caribbean influence there is on the norms of New York Hip Hop culture and how much does that paint their perception of the Hip Hop scenes in other regions that are not Caribbean-influenced outside of the obvious initial influence of New York.
@IllmaticDelta @Meh @mobbinfms @K.O.N.Y
HIpHop's roots/musical base, is American (Afram) to the bone. Nothing Carib about it. Infact, what Herc played was directly tied to Aframs not rocking with reggae/carib music...his playlist was more of a product of Afram tastes and the influence of Afram tastes on everyone else
A Salute To James Brown – The Godfather of Hip-Hop
So let us take a minute to recognize and realize just why James Brown is the alpha and omega of this hip-hop shyt….
Various hack music historians have drawn connections of their own to the origins of hip-hop music, but this is clearly a case where academia can get stuck to far up it’s own ass. Steven Hagar got the answer straight from the horse’s mouth in his ground-breaking 1984 book, Hip Hop: The Illustrated History of Break Dancing, Rap Music, and Graffiti:
Many critics have drawn parallels between the development of rap and reggae, a connection that is denied by Kool Herc. “Jamaican toasting?” said Herc. “Naw, naw. No connection there. I couldn’t play reggae in the Bronx. People wouldn’t accept it. The inspiration for rap is James Brown and the album Hustler’s Convention.”
Not only was JB the inspiration for the music, but his legendary moves also played a large part in the development of breakdancing:
“There was no such thing as b-boys when we arrived, but Herc gave us that tag. Just like he named his sound system the Herculords and he called me and my brother the ****** Twins. He called his dancers the b-boys.” Despite their age, Keith and Kevin soon established themselves as the premier performers at Herc’s parties. “When we danced, we always had a crowd around us,” said Keith. “We wore Pro-Keds, double-knit pants, windbreakers, and hats we called ‘crushers.’ One of us would always have the hat on backwards and we both had straws in our mouth.” During the week, the twins spent hours working on new routines, inventing steps that would amaze the crowd. “James Brown had a lot to do with it,” explained Kevin, “because he used to do splits and slide across the floor.”
But just what exactly is it about Mr. Brown’s music that is so essential to rap? Lifelong fan Pete Rock, who’s nickname and short-lived Soul Brother record imprint were both modeled after JB, also agrees that without James Brown, hip-hop music as we know it would not exist:
“He’s been an influence to everyone. He’s the reason for hip-hop music – period! That’s it! He was it! He created ‘Boom! Bap!’ He created that! He made that. James Brown is definitely the creator of hip-hop because he’s the creator of “the one” and the snare hit, and the one and the two. “On the one” – that was important to him, and he wanted people to know how that’s done and what he was listening to in his head. I have the DVD where he breaks it down how he figured out how to make the drum beat! He figured it out. It’s ill, man. I love watching that DVD. It’s called Soul Survivor.
Pete even goes as far as to imply that the Godfather of Soul may have passed on some of his genius to him in person:
“I met James Brown when I was seven years old. My mom took me to a concert in Mt. Vernon, New York. He came and performed and me and my younger brother met him. My younger brother was six and I was seven and we met James Brown. It was crazy! When we met him I think he passed something on to me. I wasn’t the same after I met him. I went to his funeral – just standing there, lookin’ at him for a good hour. I was standing right next to his casket.”
Not only did James Brown inspire Kool Herc to create hip-hop, invent the “Boom! Bap!” drum rhythm and inspire break dancing, he’s also provided a wealth of breaks and samples that continue to drive great rap to this day. And yet where is due? No James Brown? No Prince or Michael Jackson (and definitely no Justin Timberlake or Pharrell). And, even more importantly, no “Rebel Without A Pause.”