Diddy “The Love Album: Off The Grid” Discussion Thread

Dem313wayz

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Yall tripping the entire 2nd half of this album is hard.

Favorite tracks are the songs with Jazmine Sulliven, HER, Babyface and John Legend

Best song is the track with Justin Beiber.

You and your girl can vibe to this album
 

Razzay

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Anyone who says this is generic and whats being done today? really like this doesnt sound unique to whats on radio?

It has an Uptown / Badboy aura, the production is classic Stevie J, Mario Winans infused, not the singles they did on hiphop but those 112, Faith, Total, Carl Thomas cuts that have no video or radio play.

Puff only rapped on 6 out of 23 tracks. 5 tracks are interludes for the vibe. Much of what is being presented is for feeling / soul.

Got to give props that he didnt completely go and try to do a last train (which was ahead of its time and not appreciated until years after its release) or a press play and just spit or get rap featured for each track. He stuck to the mission of staying in the rnb category.

There was so many landmines to this that he avoided:

1- Puff u rap on each track
2- Puff this sounds outdated
3- Puff ur chasing a club joint / hit that dont fit w cohesion
4- Puff ur trying to buy wants hot or imitate whats hot
5- Puff ur missing a big, mase, lox or faith cameo

His usual recipes for a badboy album were avoided because he focused on this being purely RnB driven and Love Records move even though there's sprinkles of the badboy sound throughout.

It sounds fresh for whats out today and can compete. Even the joint w bieber he didnt make him do the typical bieber style radio records, he challenged artists to step out their lane and do it the puff way.
 

010101

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puff came up at the right time

there was so much legit talent around he could piece tight a winning team by default

now that most the artist around are maybe just a little less than ass it ain't the same wave

puff not the one to really go hunt genius down & put it together

pretty much all these mainstream producers now just taking whatever comes across their plate & hustling together the easy fast food meal

*
 

Razzay

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…..if you nikkas don’t listen to R&B just say that instead of saying dumb shyt in here

:dead: ain’t nothing generic about this project..shyt got some slaps on it fr .

Put this on some speakers and this shyt knockin’
Agreed!

Production credits got Puff Stevie J ans Mario Winans adding their touch on each track including those produced outside the camp. The mastering and mixing for this is flawless!
 

Ol’Otis

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…..if you nikkas don’t listen to R&B just say that instead of saying dumb shyt in here

:dead: ain’t nothing generic about this project..shyt got some slaps on it fr .

Put this on some speakers and this shyt knockin’
This not r&b my brother this is rap by another name (pop-rap)
 

Razzay

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This not r&b my brother this is rap by another name (pop-rap)

This rnb / soul b, cant deny that

On the production tip other than it being dominated by stevie j, puff and mario winans it has a joint from J dilla, 2 w timbaland touches and one w london on the track
 

MK25toLife

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I want to like it but it just feels a bit bland. More than anything it made me go back and appreciate 702’s “Steelo”, iykyk.
 

Michael's Black Son

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Mid at best.

Kudos tho — for leveraging his flex to get these features.

Should’ve been 15 tracks at the most. Feels like filler.

Doesn’t feel cohesive.

Ryan Leslie’s first album is lowkey an early 2000s classic — kinda LOL and Puff wrecked the musical direction of his label by wrecking things with him over a bitçh.

This feels like a less annoying Khaled R&B project.

Concept would’ve been fly if he did 13 tracks with 90s R&B artists and 13 with these new cats on a separate “part 2” project.
 
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