gluvnast

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No.

All three time frames synced on the 7th day.

The train ride and arrival "home" is the 8th day

The civilian boats departed in the morning of the 7th day and returned with crew that same night thus their time frame was a day.

Cillian's character crossed over into the day time frame early..Its assumed he was stranded at sea for a day or possibly longer. They did not show the interaction between Cillian and Harry until after Cillian was rescued by the cilivians because Harry's time frame was still catching up...

Just reflect back on the pacing of each perspective...

Tom Hardy/One hour.....He was in a rush, continuously asking for fuel..complained how far Dunkirk was etc...

Sea/ Father and Son w/friend/One day ..They had a sense of urgency but there wasn't panic..

Harry/One Week....He was shown sitting..waiting for extended periods..His time frame was shown to be drawn out and dull


Again you're wrong but I'll share more tomorow.

I watched this movie 3 times. Each episode did not END with all at the same time. The ONLY part that all happened all at once was when Farrier shot down the bomber which started the oil fire, at that same time Peter was able to pull Tommy onto the boat, while the civilian boats were loading up the remaining soldiers at Dunkirk.

The timelines are like this as shown in this diagram:

ouy093n.jpg

You see the story about the soldiers from the mole started BEFORE everything else did. All the events that happened leading up to Dawson's ship finding Cillian Murphy on the wrecked destroyer happened before Dawson's ship left. The day Tommy and Alex were rescued was the 6th day. Had it been ALL on the 7th day, the non-linear storytelling would of ENDED the moment Tommy and Alex were rescued and everything would of been linear from that point. But it wasn't. After Dawson and his people rescued Alex and Tommy and the rest from that one ship, they encountered another German fighter jet which was the same fighter jet that Farrier shot down saving those at Dunkirk right before he landed while out of fuel. So, all of their stories did NOT end at the 7th day. Farrier's was the 1st to end which was when he was captured by the Germans. Dawson and Peter's story ended that next morning when Peter went to the newspaper to submit George's picture, and Tommy's and Alex's story ended much later on the train reading that newspaper.

Nolan DID NOT stipulate that the timelines were solely the length of them being on the beach... it was the length of each TALE. If it wasn't, none of those stories wouldn't of intersected to begin with. But everything is connected into one big story. So, in order to understand how Cillian Murphy GOT back to the wrecked destroyer, you HAVE to take into account everything leading up to BEFORE the Dawson's story even began. And one way or another, Murphy's character had to swam that English Channel and that's based off the information the film shown in regards to the mole story. And it had to been sometime between their 2nd day to before the day of Dawson's ship leaving.
 

Donald J Trump

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I refuse to believe the posts about falling asleep in a movie with a score that LOUD

‘Dunkirk’ Is Too Loud For Some Viewers, But Christopher Nolan Says That’s the Way He Likes It
I guess we all lying then :russ: movie was ass :dead:
Damn i got two calls and left mane. I can't believe it, I low-key had no interest in the movie while watching. got to the torpedo and straight dipped. Im a Stan of breh too, maybe I should go back and Re watch:yeshrug:

But that movie was getting boring as fukk
I dipped at the same time :russ:
 

Lootpack

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gluvnast

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Odd movie. The character-driven and 'emotional' stuff were pretty awful. The movie as a spectacle was extremely good however.

The movie isn't supposed to be about the characters. It's supposed to be about the spectacle. The characters are supposed to represent US if we're in their shoes. And in that situation, no need to sit around and find out anyone's back story. The whole focus is to get the fukk out of Dunkirk by any means necessary.
 

Grand Conde

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The movie isn't supposed to be about the characters. It's supposed to be about the spectacle. The characters are supposed to represent US if we're in their shoes. And in that situation, no need to sit around and find out anyone's back story. The whole focus is to get the fukk out of Dunkirk by any means necessary.

Link to Nolan saying the characters were irrelevant?
 

FLATOP

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Painfully boring movie with Nolans forced skewed time narrative gimmick plastered on top of it simply to make sure it was completely unbearable to sit through

:hhh:
 
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