It's what sells.
A decade ago Showtime had Brotherhood, which was almost in the same league as dramas like The Sopranos or The Wire, but they cut it after 3 seasons. They are/were capable of making good shows. Just not good shows that do well ratings. Even Homeland went to shyt after 3 seasons.
But is it selling?
The last couple of eps pulled in circa 700,000 live viewers which is roughly the same as the last 2 episodes of
The Affair did and less than half of a random ep of
Shameless.
I don't care about the numbers, I just want something good or interesting, and for as long as these eps are and for as convoluted as a lot of the dialogue is, when it all comes down to it it's 60 mins a week of rich white dudes being dikks and it's boring.
Even the "good" lawyer dude who is switching his attention from Axe to Chuck - I'm not even sure why? I get that Chuck did some off the books shyt to catch Axe, but all of a sudden he's the "moral" backbone of the show when it shoulda been the Mormon-ish dude or, to make it more interesting and nuanced, Condola Rashad's character.
She would have more to lose by going after Chuck because the other guy already had Axe/Axe's lawyer saying he'd make a killing in the for-profit sector, but nobody seems to be chasing Condola's character, so if she was risking it all to get true justice, it would be interesting to see her genuinely risk her career for the right cause.
Instead it's just another white guy in a line of white guy's who has an axe to grind (no pun) but who all have fallback plans if shyt goes belly up (Axe is a billionaire, Chuck is an heir and white lawyer dude has several job offers)
Even the person who loses in the end isn't really gonna lose anything but a shot at their ego. shyt - Axe was with a chick who grinded with him from the bottom and now they're divorced and she's gone and it's like she was never really there. That's just bad writing.