Agreed :prodigylol2:you shouldn't be listening to Future in any capacity
Trash rap :peeumad:
Agreed :prodigylol2:you shouldn't be listening to Future in any capacity
You forgot the gawd :pdahellclean:Common dropped the AOTY last year
ATCQ dropped the runner up AOTY
Masta Ace STILL drops heat and he's damn near 50
Ghostface been dropping heat
Raekwon dropped a solid project
Kanye knocking on 40's door and he's still one of the most anticipated artists whenever he drops
Black Thought will still outrap 90% of ANY new school artist
Rick Ross is 41 and stays dropping heat
Great point actually :psalute:Flow often requires a good degree of breath control, and you can imagine most mid-40s dudes have less of than that someone 20 years younger,
You think someone in their 40s isn't as mentally sharp as someone in their 20s?
Yeah - you right. I forgot about punching in.You can bluff that in the studio with a punch in or if you're creative flip the flow and remove a word or two to take an extra breath. None of that should affect the overall impact of your music. If it ain't hitting like it used to it's either cuz the artist ain't adapt or isn't hungry it's not because they aren't physically capable of making great music anymore that gets airplay, sales, popularity and resonates with the people.
You think someone in their 40s isn't as mentally sharp as someone in their 20s?
Sike. Also u don't articulate ur point very well. Cause they have nothing to do with hip hop. And if u talking about RnB growing up there's plenty of RnB artists not named Beyoncé and Usher that are dropping great shyt it's just that RnB is damn near dead in the mainstream cause the line has been blurred too much. But u still got cats like Babyface droppin dope albums. shyt RnB ain't even get overall raunchy till recent. There was always exceptions but nothing like it is now.
be real. most rappers who are still in it in their 40s are well past their prime.You think someone in their 40s isn't as mentally sharp as someone in their 20s?
That receipt gameReal talk it's in his book
“Then in early 2003, I went to Atlanta to have a meeting with Outkast at their Stankonia Studios, named after their album. I went in assuming that we were going to talk about their new upcoming album, but right away it was clear they had a different conversation in mind. They told me at this meeting that they might not want to work together as a group any longer. In fact, I’m not sure Big Boi knew before this meeting that André had come to this conclusion—I couldn’t tell. I was shocked and stunned, but this was too sensitive to betray their confidence. Whether this was happening because of personal jealousies or divergent creative directions or whatever, they never let on.”
Excerpt From: Reid, L.A. “Sing to Me.” HarperCollinsPublishers, 2015-12-16. iBooks.
This material may be protected by copyright.
Check out this book on the iBooks Store: https://itun.es/us/QkG5Z.l
“Sometime later, Big Boi told me he wanted to make a solo record. He went in the studio and he records, records, records, records. I started to hear the songs he sent me or his manager brought. I loved them. He played me one, “The Way You Move,” that sounded like a real smash. Then he played me others that sounded so good I got confused. This album was full of songs that I really loved and I couldn’t wait to put out. I went to Atlanta for his photo shoot. He had speakers everywhere, big speakers, small speakers. He was sitting on top of speakers. The name of the album was Speakerboxxx.
As it all came together, the company back in New York had been making plans to market and release the album by Big Boi, when I got a call from his former partner, André 3000.
“Reid,” he said, “when are you putting out Big Boi’s album?”
“The release date is five weeks away,” I said.
“So if I want to make an album and turn this into a double album, how much time do I have?”
“Three weeks.”
“Damn, three weeks,” he said and paused, as[…]”
Excerpt From: Reid, L.A. “Sing to Me.” HarperCollinsPublishers, 2015-12-16. iBooks.
This material may be protected by copyright.
Check out this book on the iBooks Store: https://itun.es/us/QkG5Z.l
Why does hip hop frown upon people participating in the creation of music after a certain age?
You don't see that in any other genre of music. What does age have to do with a person's creative ability?
This mindset in hip hop that it's only for teenagers and people in their 20's has always been crazy to me.
It almost screams white supremacy/conspiracy to me.
Like a mental conditioning designed to destroy a powerful genre that has proven to be able to move the entire culture.
Just like every young poster here talking about the older posters areJim Jones & The Game always had something to say about being 40 & rapping as a negative..... but look at them now...either over 40 or close & still rapping
Scust at you for implying that's all that rappers can rap about. Nas rapped about possibly not being the best father to his daughter. Prodigy has a song rapping about the trials and tribulations he had being inflicted with Sickle Cell. Ghost rapped about going underwater and seeing cartoon characters and Islamic images. Cube and Chuck rapped about Black social issues. J. Cole rapped about the anxiety he had the first time he was with a girl sexually. Pac has a song about uplifting Black women. GZA is creating a whole album about the universe. Yall nikkas have to stop putting limitations on rap music. A rapper does not have to rap about NONE of that shyt you mentioned to make dope rap music.
they should ask him if he feels weirdo rap has his dna all over...