Microfracture
Real G's move in silence
Melisandre is Miss Cleo status on the show 

Doesn't factor in jon's parents but is probably pretty close as a very general theorythe more i think about it, i think the show will combine lady stoneheart and jon. jon is probably gonna come back to life and start killing betrayers left and right and then once he's done with them he's coming to winterfell with a wildling army to kill freys and boltons. since jamie and brienne and that story line is scratched, vengeance has to come from somewhere. who better than the rightful king in the north and king of westeros jon targaryen.
then he can come back to the wall and die honorably and dany can be queen with rickon as king in the north or sansa queen in the north.
Doesn't factor in jon's parents but is probably pretty close as a very general theory![]()
Nah jon's true origins being revealed has to be a huge moment. We've been waiting for it since ned left him on the kingsroad. The result might be the same, yeah, but the reveal gotta be some episode 9 shytthey could just mention it through bran and even tho all show watchers and book readers will want to see jon as king, he wont be. he might even find out himself and be likeso? i dont want no throne. i want vengeance.
![]()
Nah jon's true origins being revealed has to be a huge moment. We've been waiting for it since ned left him on the kingsroad. The result might be the same, yeah, but the reveal gotta be some episode 9 shyt
I think this is part of what makes Season 5 and particularly Mother's Mercy one of the most poorly written pieces of TV in the history of Game of Thrones.
Regardless of the events depicted in the episode, it is the cheap way they were layed out what bugged me the most. My screenwriting professors would tear this thing into pieces:
Oh, there's more: Myrcella declaring her love to his father just to die in his arms --with no reason to have that knowledge-- serves only shock; the greatest military mind on Westeros attacking Winterfell against all military odds in a stubborn impulse; how the absence of the reveal of a bigger motivation behind Doran's actions renders the Dorne plot fruitless; "bad poossay"... but this is the extent that my poor English as a Second Language allows me to go. The whole episode felt rushed and focused only towards cheap shock tricks. The scripwriting is far off from the first three seasons, from greater HBO shows and very far from the original material, in my humble opinion.
- Deus Ex Varys: The character appears out of nowhere for no reason just to be where the writers need him to be next season. Yes, the character is great. Yes, his chemistry with Tyrion is really tempting and makes the writer want to give them more screen time together. However, when you completely forget about the character for half a season and he just magically reappears when and where you want him, and only once other characters have moved on to a different location leaving you with the need to fill dialogue pages in Meereen, you're not only depriving him of motivation and arc. You're cheaply using him as a gratuitous plot device.
- The off-screen death: Brienne, who appeared for 8 seconds in the whole season, appears Deus Ex Machina to kill Stannis in the last minute. No explanation. No build-up. No stakes. How did the writers foreshadow this? By openly having Brienne telling the audience she was going to do so during those 8 seconds. Masterful. Her "climatic" revenge takes the form of one of the most uninspired and cardboard dialogues Gwendolyn Christie has been forced to recite so far. And then they deprive the audience of the emotional impact: no reaction shots, no resolution. There's no emotion, just action, pure shock value underlined by the cheapest trick in the catalogue: the off-screen death cliffhanger.
- The jump: Theon killing Reek felt very anticlimatic, as if some shots of inner turmoil were cut from the final episode. The Emperor/Myranda was just pushed with no emotional transition from Darth Vader back to Anakin and there was no real pay-off to Theon's arc in the season. Again, having a character falling from the walls to her death from on screen and then having the protagonists jumping from the same walls --with no true emphasis in the difference of terrain or snow depth-- is felt as illogical by the audience and only serves one objective: shock-value, cheap cliffhanger.
- Mercy: Apparently Ser Meryn Trant was not previously depicted as villainous as the writers wanted him to be. Killing Syrio, hitting Sansa when ordered by Joffrey, being revealed as a pedophile in the previous episode... no, he also had to be a sadistic torturer of little girls. They did this with Joffrey too, it seems that the writers think that openly "evil" characters must be also literal psychopaths in order to make the audience root against them. And then the revenge killing scene dragged for so long I wonder if they are subtle enough to be pointing towards a future psychopathic Arya or they just did it for shock value, once again.
- By having Sam being the one who has the idea of going to the Citadel and become a Maester, you're undermining both him and Jon as characters. On the one hand, you're not preparing the emotional ground for "For the watch": Jon forcing one of his last true friends and allies to abandon him for the good of the watch is a perfect paradigm of the tragic sequence of events that end with him being completely alienated from the remaining crows. From the point of view of the reader/audience, Jon is acting as a good Lord Commander is supposed to be, thinking about the big picture and taking decisions that make sense... but we also see that this leaves him alone and misunderstood, and a sense of dread is always looming: we wish he wouldn't send Samwell away. But no, in the show it is Sam who wants to abandon his friend... so none of this is felt by the viewer.
- For the watch: The way this sequence was handled baffles me. They have a 20 second scene of Jon just reading scrolls. No info on what he is reading, no emotional attachment to the scene. Then the Benjen trick is pulled on the audience and all the main characters at the Wall, including Ser Alliser Thorne, collaborate to get rid of their Lord Commander. No subtlety, no nuance. Previous episodes served to paint Ser Alliser as a complex character: yes, he's a dikk, but he's also a true Night's Watch, a knight. He has strong views and is unsympathetic to a main character, but he's also brave and loyal. We've seen him push his antipathy aside when concerning matters of great importance for the watch. Having him following on his dislike towards Jon Snow in the end cheapens him as a character. The writers chose to focus all the emotional impact of the scene on the final shock. But in doing so, they missed on the opportunity of having it really be meaningful. There should've been a "final straw". Something that compelled the conspirators to proceed and that gave the audience a looming feeling. Previous episodes laid the groundwork for this, some kind of substitute for the Pink Letter: Davos was asking the Lord Commander to support Stannis in taking Winterfell and Jon accepting it would've been the much needed last straw. The worst thing is that, since Benjen wasn't really mentioned in 4 seasons, using him as a bait was not directed towards the character but to the audience. Really cheap.
idk man i hate to be one of those book fags that whines about the show, but im reading people's points against the show on reddit and its all very hard to disagree with. this is one person's post...
I know, that's why I figured he would kill her once he realized that Shireen was dead.Davos cared more about shireen than stannis
Once he finds out how she died
idk man i hate to be one of those book fags that whines about the show, but im reading people's points against the show on reddit and its all very hard to disagree with. this is one person's post...
I know, that's why I figured he would kill her once he realized that Shireen was dead.