g-ice
aka #DiamondNightmare
I've seen some music reviews and the album is getting shytted on.
A 58 on Metacritic so far :cenamerchant:
A 58 on Metacritic so far :cenamerchant:
3.5 stars on hiphopdx.com
HHDX gave Slaughterhouse "Welcome To: Our House" a 4.5/5.
Everything on that website is poorly written.
They think videotaping themselves reading their own articles with cutaways to screengrabs of the articles is compelling.
That's the highest rating as of right now.
I havent heard the album yet... but I dont think creative freedom is the problem here.and im not saying they are beyond reproach, if @GinaThatAintNoDamnPuppy! doesn't feel it that's his right, im not gonna think less of his opinion because of it. but that mindset is not what musics about to me, music is about experimenting and trying to push boundaries. hiphop needs more of that, but I feel veteran artists are afraid to go beyond what they are known for
http://www.independent.co.uk/arts-e...ew-the-boys-are-back-on-top-form-9889960.html
the damn 25 from The A/V Club (??) is keeping it from the mid 60's, hopefully gets into the 70's but ehh whatever
All in all, the Wu remains palatable. They each have their own skillset they bring to the table, and all of them do so with varying degrees of grit on the album. As such, it truly feels like a coming together, instead of what felt half-hearted on 2007s 8 Diagrams. 21 years later, Wu-Tang clan still "ain't nothin' to fukk wit'."
I havent heard the album yet... but I dont think creative freedom is the problem here.
Ultimately, it sounds like this was an album nobody wanted to make. Its like parents who stay in a miserable marriage and blame their kids. Id rather hear strong solos than weak group efforts.
:scumbag:Timeout..you're critiquing the album without hearing it yet breh?
So did anyone actually read the review on DX or just look at the score?
the hell you been? I didn't even know you were registered on here