Musically when the P albums were bay influenced they were pretty average compared to dangerous crew and link crew equivalents.
Then when the whole pen and pixel era started none of the no limit CDs or beats by the pounds production could stand close to the quality coming from suave house, rapalot and more importantly the dungeon family.
the only really good rapper on the label was MAC, While mystical came on Jive first. No Limit didnt launch him.
Not questioning anything else here, just the quality of the music.
Re trend setting etc..
P ran with what worked, thats good business. People do that across all spectrums of business.
Look at android and apple.
Come on breh: Alot of those No Limit dudes had talent, alot of them did not.
Mia X is still considered to be the best female rapper to me...go back and listen to Good Girl Gone Bad and songs off Mama Drama like "I think somebody", "Play Wit p*ssy," etc. Plus, she ate nikkaz up on their own record all the time
Fiend was, and still is a lyrical beast. Street Life alone should let you know this
Mystikal was the KING of killing other nikkaz songs. Plus, Unpredictable is a great album
Even though they were not the hottest, Steady Mobbn and Prime Suspects had some great fukking albums too
Mr. Serv-on dropped 2 great albums on No limit; Life Insurance alone is damn near a southern classic
Point is, the quality of music for No Limit from 1996-1998 was pretty fukking good, and much better than Suave House after '95 (On top of the world was the last great Suave House record). And Master P's bay album, like 99 Wayz to Die and Most of True are damn good albums man

Stick to your non-threatening early 90's ear East Coast Rap and leave treal ghetto survivor music alone cause you could neva understand if you a suburban whiteboy "hip hop purist".



Like master p didn't rape his artist worse than anything we've ever heard about jay-z doing.
P put dudes albums out that would have never gotten a chance anywhere...plus numerous artists have come back and said that P gave them the chance they never would ahve gotten, gave them cars and money. He is an owner, so yea he got a percentage, but who doesn't when your are executive producer? That meant that he paid for all the beats and promotion for the albums alongside priority. The only dudes who say they were upset about money were Beats by the Pound, and even Mo B. dikk came back and said, nah, P took care of them.