why can't DC films be like the DC cartoons of 90s/early 2000s

Bawon Samedi

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Like wtf are they doing wrong? And who the fukk keeps green lighting these films

They're not following the comics. I remember that one video posted on here said that the people at WB dont really read the comics especially for Batman. Superman for example doesnt act like the Superman from the comics, cartoon series or the JLA animated series.
 

Ol’Otis

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They're not following the comics. I remember that one video posted on here said that the people at WB dont really read the comics especially for Batman. Superman for example doesnt act like the Superman from the comics, cartoon series or the JLA animated series.
Wait but weren't the cartoons distributed by WB in the 90s?


Superman is very dark person in the films :picard:
 

Bryan Danielson

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Because of the Nolan series.

The 90s/00s cartoon were fun, funny, and didn’t try to hard to be cool or take itself too seriously.

Everything they were or did in the past is now looked at as signature thing of their competition and they look down on I like the competitors built the wheel

Martha
 

Ol’Otis

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The 90s/00s cartoon were fun, funny, and didn’t try to hard to be cool or take itself too seriously.
Batman TAS was kinda dark/noir-ish

I agree on the the dark knight being the inspiration for the DC films they just took it to the extreme
 

KOOL-AID

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why follow the comics and cartoons, like wldnt it be cool if idk batman got raped in jail, that would be dark? what about killing the core character of your uni in his second appearance that's not even a sequel and him being a side character in it still on the mope shyt from the first film and then say in your team up film he was a symbol of hope for the world even though it was shown to be decisive? how about visuals over character growth and common storytelling or picking autistic weirdo arch enemies? no, ok what about trynna put three story lines in one film and then introducing other character via a email pretty different right? What about a character with a no kill rule no matter how down he is suddenly killing or even if jaded and senile doesn't use his greatest tool which is his mind and gets manipulated like a rookie tho he's two decades deep? or seeming like a dikkhead shyting on other properties' superheros by calling them flavors of the month but not even getting your own shyt to pop?

ok ok maybe i'm to hard on the director side, how about being an incompetent company that's trynna play catch up and ride a wave and rush things? how about not having a decent plan and back up plans for idk the next decade or two, its not like they don't have every character to pull shyt off with? or forcing two week scripts and letting trailer companies cut films? or planning 6 movies about useless characters before your mains, not saying other properties shldn't be done but who's asking for a stand alone joker and three more harley filled films? why not use sidekicks to reach a specific target audience since your animated section has a teen hero show that people petitioned to get back becuz of its popularity or the other teen hero cartoon that they love or the one with the cool black kid that was your highest rated cartoon? how about not giving directors multiple chances too fukk up? creating a separate studio for your dc adaptions to let it be its own thing without behind the scenes drama with a guy passionate and knowledgeable in charge?

anywho waiting for shazam, aquaman, ww2 and the batman. WB and DC aren't done yet but boy did they fukk themselves over hard, not respecting your properties and the fans will backfire on you, greedy faggits.
 

Bryan Danielson

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Batman TAS was kinda dark/noir-ish

I agree on the the dark knight being the inspiration for the DC films they just took it to the extreme

I just hate some of the negatives that DC Stan’s have against Marvel but then claim their love for the DC animation and either pretend or forget they was doing do the same thing and we loved it.

JL and JLU is funny, it’s fun, the villains never died, and it was one of the best comic cartoons shows ever

Martha
 

KOOL-AID

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I just hate some of the negatives that DC Stan’s have against Marvel but then claim their love for the DC animation and either pretend or forget they was doing do the same thing and we loved it.

JL and JLU is funny, it’s fun, the villains never died, and it was one of the best comic cartoons shows ever

Martha
these clark kents man :wow:
 

Bryan Danielson

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why follow the comics and cartoons, like wldnt it be cool if idk batman got raped in jail, that would be dark? what about killing the core character of your uni in his second appearance that's not even a sequel and him being a side character in it still on the mope shyt from the first film and then say in your team up film he was a symbol of hope for the world even though it was shown to be decisive? how about visuals over character growth and common storytelling or picking autistic weirdo arch enemies? no, ok what about trynna put three story lines in one film and then introducing other character via a email pretty different right? What about a character with a no kill rule no matter how down he is suddenly killing or even if jaded and senile doesn't use his greatest tool which is his mind and gets manipulated like a rookie tho he's two decades deep? or seeming like a dikkhead shyting on other properties' superheros by calling them flavors of the month but not even getting your own shyt to pop?

ok ok maybe i'm to hard on the director side, how about being an incompetent company that's trynna play catch up and ride a wave and rush things? how about not having a decent plan and back up plans for idk the next decade or two, its not like they don't have every character to pull shyt off with? or forcing two week scripts and letting trailer companies cut films? or planning 6 movies about useless characters before your mains, not saying other properties shldn't be done but who's asking for a stand alone joker and three more harley filled films? why not use sidekicks to reach a specific target audience since your animated section has a teen hero show that people petitioned to get back becuz of its popularity or the other teen hero cartoon that they love or the one with the cool black kid that was your highest rated cartoon? how about not giving directors multiple chances too fukk up? creating a separate studio for your dc adaptions to let it be its own thing without behind the scenes drama with a guy passionate and knowledgeable in charge?

anywho waiting for shazam, aquaman, ww2 and the batman. WB and DC aren't done yet but boy did they fukk themselves over hard, not respecting your properties and the fans will backfire on you, greedy faggits.


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Martha
 

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Because WB has their own animation studio but don't have one for their live-action DC movies

Warner Bros. Animation - Wikipedia

Example:

Say you want to make an animated Thunder Cats movie or show. You would have to go to the head of WB Animation, Sam Register

Say you want to make an live-action DC movie. You would have to go to WB themselves and pitch the movie to their team.

Maybe AT&T will give them one next year :manny:
 

HonoredOne

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why follow the comics and cartoons, like wldnt it be cool if idk batman got raped in jail, that would be dark? what about killing the core character of your uni in his second appearance that's not even a sequel and him being a side character in it still on the mope shyt from the first film and then say in your team up film he was a symbol of hope for the world even though it was shown to be decisive? how about visuals over character growth and common storytelling or picking autistic weirdo arch enemies? no, ok what about trynna put three story lines in one film and then introducing other character via a email pretty different right? What about a character with a no kill rule no matter how down he is suddenly killing or even if jaded and senile doesn't use his greatest tool which is his mind and gets manipulated like a rookie tho he's two decades deep? or seeming like a dikkhead shyting on other properties' superheros by calling them flavors of the month but not even getting your own shyt to pop?

ok ok maybe i'm to hard on the director side, how about being an incompetent company that's trynna play catch up and ride a wave and rush things? how about not having a decent plan and back up plans for idk the next decade or two, its not like they don't have every character to pull shyt off with? or forcing two week scripts and letting trailer companies cut films? or planning 6 movies about useless characters before your mains, not saying other properties shldn't be done but who's asking for a stand alone joker and three more harley filled films? why not use sidekicks to reach a specific target audience since your animated section has a teen hero show that people petitioned to get back becuz of its popularity or the other teen hero cartoon that they love or the one with the cool black kid that was your highest rated cartoon? how about not giving directors multiple chances too fukk up? creating a separate studio for your dc adaptions to let it be its own thing without behind the scenes drama with a guy passionate and knowledgeable in charge?

anywho waiting for shazam, aquaman, ww2 and the batman. WB and DC aren't done yet but boy did they fukk themselves over hard, not respecting your properties and the fans will backfire on you, greedy faggits.


:lawd: Preach
 
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