Where would Black culture be without Atlanta?

Cadillac

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IDk what that's supposed to mean breh.. Like when a Vybz Kartel song comes on nikkas be doin a lil half two step or something tryna fight the urge? I dont understand.
How r u not getting this :Taxwhat:

Man NVM nikka forget I said anything:Mjparadise:
 

IllmaticDelta

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Ok. So now NY nikkas aren't AA enough because we have alot of caribbeans. Cool.

Lemme get that RBG flag back, the whole Harlem renaissance, the first slave revolt and Hip Hop and I will go back to my subway station.

OH AND MALCOLM X.


tenor.gif
 
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BlackPrint

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jayz is describing the feeling of southern hiphop when he asks about the bounce. Not crunk, the genre




the feeling/essence of the beat is the bounce. Similar to the swing of jazz or the funkyness of soul/funk. That's what the many genres of southern hiphop have in common, the bounce





it was an example of jay riding waves of the south, my main point



it's new orleans bounce, the genre. What im talking about is bounce the feeling, a specific head nod/body moving element

a feeling that david banner describes here




see above post. I just explained to you that bounce is a feeling found in southern hiphop. I am not talking about bounce the genre (new orleans) or crunk but bounce the feeling that runs through all those genres.




try again:mjgrin:

Even for a nikka that tried to convince himself that people in the Bronx speak with Southern accents, that response was pretty fukking dumb.

The nikka asked him "you got bounce? Ahh you aint got no bounce"..He's not talking about some weird Black Panther superpower feeling when he remembers the south LMAO, he's asking him about the lack of "bounce" in the song.. Bouncy percussion isn't unique to Southern Hip Hop.. Have you not heard of Boom Bap? New Jack? Doo Wop? Ice Cream trucks make bouncy music, are they jacking the south now? Go to sleep breh.. You like 0-11 with me.

Your point was that Jay Z used Atlanta And/or New Orleans Bounce to be succesful, even though the songs you mentioned werent' even Jay Z songs and utilized Egyptian bellydancing music lmao.

I dont care about how David Banner felt, we're talking about Jay Z asking Timbaland (whos not even from the fukking South btw or Atlanta or make Atlanta music...) 10 years after the song you cited why his song doesn't have more bounce to it.

If you're talking about the "feeling" of bounce, then you're talking about a temporal experience that doesn't cross over between Jigga what, Ha & Big Pimpin.. You literally just made that up when you realized you lost the debate lol.. Now you posting videos of David Banner
 

Cadillac

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There's no but's HH is from NY, give respect to the architects they did it and they did it well that's all I wanted to say.
Okay but NYers should respect the place(s) that their architects got the blueprints to make hip hop.

Respect is a two way street, no one owes NY no damn unshared feeling of respect. When they don't return the favor
 

Pit Bull

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Even for a nikka that tried to convince himself that people in the Bronx speak with Southern accents, that response was pretty fukking dumb.

The nikka asked him "you got bounce? Ahh you aint got no bounce"..He's not talking about some weird Black Panther superpower feeling when he remembers the south LMAO, he's asking him about the lack of "bounce" in the song.. Bouncy percussion isn't unique to Southern Hip Hop.. Have you not heard of Boom Bap? New Jack? Doo Wop? Ice Cream trucks make bouncy music, are they jacking the south now? Go to sleep breh.. You like 0-11 with me.

Your point was that Jay Z used Atlanta And/or New Orleans Bounce to be succesful, even though the songs you mentioned werent' even Jay Z songs and utilized Egyptian bellydancing music lmao.

I dont care about how David Banner felt, we're talking about Jay Z asking Timbaland (whos not even from the fukking South btw or Atlanta or make Atlanta music...) 10 years after the song you cited why his song doesn't have more bounce to it.

If you're talking about the "feeling" of bounce, then you're talking about a temporal experience that doesn't cross over between Jigga what, Ha & Big Pimpin.. You literally just made that up when you realized you lost the debate lol.. Now you posting videos of David Banner
A lot of them old head nikkas did have a southern twang. Herc sound just like any other nikka up there wit southern roots. Every nikka in the south don't sound like Plies and Juvenile. Y'all young boys so out of y'all element right now.
 

IllmaticDelta

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Even for a nikka that tried to convince himself that people in the Bronx speak with Southern accents, that response was pretty fukking dumb.

The nikka asked him "you got bounce? Ahh you aint got no bounce"..He's not talking about some weird Black Panther superpower feeling when he remembers the south LMAO, he's asking him about the lack of "bounce" in the song..

jay'z asking for bounce as in the feeling that he knows from timberlands work within southern hiphop



Bouncy percussion isn't unique to Southern Hip Hop.. Have you not heard of Boom Bap?

boom bap is funky in funky drummer way, not in a bounce way




New Jack?

heavily gogo influenced which leads me back to this thread I made:whew:

Dc GoGo music, a very influential strand of Funk and the deliverer of "Bounce" to modern music


Doo Wop? Ice Cream trucks make bouncy music, are they jacking the south now? Go to sleep breh..

Im talking bounce in the same way aframs use funky and swing. You wouldn't know because you're an outsider to this feel:mjgrin:


You like 0-11 with me.

more like im 11-0 with you:usure:





Your point was that Jay Z used Atlanta And/or New Orleans Bounce to be succesful, even though the songs you mentioned werent' even Jay Z songs and utilized Egyptian bellydancing music lmao.

I said he used southern hiphop sonics which is obviously drenched with bounce feeling. I said nothing of BOUNCE the genre. Timbo prog the sample to a bounce feel from it's original state:mjgrin:







I dont care about how David Banner felt, we're talking about Jay Z asking Timbaland (whos not even from the fukking South btw or Atlanta or make Atlanta music...) 10 years after the song you cited why his song doesn't have more bounce to it



If you're talking about the "feeling" of bounce, then you're talking about a temporal experience that doesn't cross over between Jigga what, Ha & Big Pimpin.. You literally just made that up when you realized you lost the debate lol.. Now you posting videos of David Banner

I didn't make anything up. There is an actual bounce feel in all of those songs. That's why one can identify southern hiphop sonically when they hear it and start "bouncing" to it:sas2:
 

T'krm

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Please understand these nikkas whole motive has nothing to do with AA nationalism or Black Pride or nonadat cuz allat go out the window when New York comes up... it’s a buncha fat soggy nikkas with sawgrass in they mouth beatin they keyboard to boost their racist, slow southern cities. nikkas come from spots that’s known for NOTHING, cities that’s 40 and shyt percent black. New York is public enemy number one to nikkas simply because of what we are (the capital).

It’s not weird at all, these nikkas been having feet on they neck they whole existence. I thank Allah I wasn’t born 100 years ago in the fukking south :russ:
You can't be AA saying this drivel:why:
 

IllmaticDelta

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Already debunked this but

no you didn't

You do understand that dwelling on one song 20 years ago doesn't reflect on a body of work, right ? (one that's still growing,mind you)

My point was nnumerous NYc rappers jumped on the south bandwagon, jay being one of the main ones

The Migos joint 'Stir Fry' has a very NY feel to it IMO.. Doesn't sound like anything else on their album, and I think that's cool.. But it would be ignorant,thirsty and despicable for me to try and claim them as stealing an NY sound.

:childplease:
 
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