Yeah. I know he was fukked up. Racist too.The lovecraft documentary is good..
That guy had issues..but he managed to transform them into stories. .
Yeah. I know he was fukked up. Racist too.The lovecraft documentary is good..
That guy had issues..but he managed to transform them into stories. .
I'll look into it. Thanks.
When I sat I've watched most everything Lovecraft within the last couple of years. I mean I was obsessed with it. Any snatched of it I consumed. I was working on a horror story in that vein.Also if you haven't seen it yet, "True Detective" season 1. It is heavily influenced by Lovecraft mythos. Even has some direct references to it.
Fred.
Peep "Spring". It's not Lovecraft specifically but it is heavily influenced by it.
Fred.
Off the top of my head of flicks I have actually watched there is Demons Never Die and Tormented.I'm starting my yearly horror movie run, it's a competition with a friend of mine, who I always wash up. Getting started today. Any recs on British horror slashers? I found one, 'Definition of Fear', but nothing online. Any slashers really, preferably one with a more 'mystery' aspect to it, as far as the killer.
When a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation. Now that Chris and his girlfriend, Rose, have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean.
At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.
Cool list...there are a couple films on the list I haven't seen that I will be adding to my Halloween Month of horror viewing.
One of Hitchock’s most amazing feats that he pulls of with Psycho is creating fully formed characters whom he knew he was going to dispatch halfway through or introduce halfway through. It’s something that most horror films don’t have the gall to attempt: to humanize the victim that won’t make it and simultaneously their relationship with the killer. Our heroes and heroines and villains don’t need to be with us every step of the way.
These stories are from the vault of horror comicsTales From the Crypt, OG British Flick from 72
...Botch murder/Reanimated FUKKERY/Poetic Justice (literally)/Blind revenge PIFF
Lowkey, now I see where Tales From the Hood got its premise from
Cool list...there are a couple films on the list I haven't seen that I will be adding to my Halloween Month of horror viewing.
This one quote from the author about Psycho is so true and highlights one of my biggest issues with most slasher films of the last 20-30 years:
I hate watching any type pf horror film but especially a slasher film where the victims are all just interchangeable ciphers who I don't give a damn about. Making the audience care about a character before they get brutally murdered is one of the best ways to get an emotional response from people.
And while I have never considered Hush Hush Sweet Charlotte to be a horror film, even though it gets categorized as such by a lot of people, I am glad it was added to the list so hopefully it will get horror heads to check it out. The movie is one of my all-time favorites. DeHavilland and Davis give tour de force performances in this movie.
I always felt that Zombie, despite his claims of being a huge Carpenter fan, was really more inspired by the later Halloween movies where Michael was chasing after Jamie Lloyd because she was his niece. Because that seemed to be what he was doing with Michael and Laurie in his films.fukk it, I'm still hot about Halloween 2007.
The most offensive thing to me, more than the excessive gore/language/lack of great camera work, is that the first 40 minutes of the movie are completely pointless. Lop it off entirely and the movie is a fairly straight forward remake of 1 with elements of 2 and as such doesn't need any of the information given in the first 40 minutes. All it serves to do is demystify Michael by making him a generic killer with a shytty childhood. It's almost like that part was added just so Zombie could say he was putting his own spin instead of doing a straight remake.
In the original, Michael goes after Laurie because she happens to be the first person he sees when he's back at his house. That's what happens in the remake as well. He has no way of knowing this random girl is his sister, nor that the Strodes adopted her. Yet half way through the movie Loomis is all "he's coming to kill his sister", but how the fukk does he know who Laurie is? He hadn't seen her since she was a baby. She was just a random girl, which is the entire point and part of why Halloween works so well. You can't play it off the same as the original and then graft the sister thing on in the same movie.
Of course, this could have been easily avoided had he not decided random scenes needed to be exactly like the original even if it interfered with the story he was trying to (poorly) tell. Rob Zombie is not a good filmmaker. John Carpenter was drunk as shyt while writing Halloween II and still managed to get a scene in about Laurie having visited Michael later in life but had repressed the memories, explaining (not super well, but at least the attempt was made) how Michael knew Laurie was his sister if he had been locked up for 15 years.