Stoute isn’t telling the whole story
And he’s honestly be better off if he did. The good that he DID do and his marketing genius would be more appreciated if he stopped bullshytting about no one buying “lyrical” albums and talked up more how artists should be well rounded in ADDITION TO their lyrical acumen.
He’s also conveniently leaving out how Illmatic and other lyrically focused projects like Reasonable Doubt, Enter the 36 Chambers, Resurrection, Liquid Swords, etc have stood the test of time. Nobody is going to see Young MC perform Stone Cold Rhymin in its entirety at a festival but Nas literally makes MILLIONS performing Illmatic at festivals around the world everytime its anniversary pops up.
There’s a REASON why Stoute sought out Nas and basically begged to represent him after Illmatic supposedly “flopped” and thats because Nas’s skills, not just his image, were marketable. Stoute helped Nas embrace becoming a better songwriter, but It Was Written is arguably MORE lyrically proficient than Illmatic. Jay dumbed down his content to double his dollars he performed a sold out B-Sides concert full non-singles and deep album cuts that his fans love to this day. Common won an Oscar writing a lyrical song about hope and determination amongst the backdrop of the civil rights movement. RZA is scoring ballets. Lupe Fiasco went platinum off a concept album. Guru was touring the whole of Europe with his Jazzmatazz series. Kendrick Lamar won a pulitzer prize and went on one of the highest grossing tours by an artist ever performing an album that explored themes of sex addiction, domestic violence, incest, and child abuse.
Hip Hop as lyricism and as “art” does and can indeed sell. You just can’t sacrifice the listening experience, which includes production, for the lyrics. They have to work in harmony.
Stoute would do well to talk about the full picture and how he can and has helped artists step back and see that picture instead of just erroneously pushing this narrative that all nikkas want to do is dance.
And he’s honestly be better off if he did. The good that he DID do and his marketing genius would be more appreciated if he stopped bullshytting about no one buying “lyrical” albums and talked up more how artists should be well rounded in ADDITION TO their lyrical acumen.
He’s also conveniently leaving out how Illmatic and other lyrically focused projects like Reasonable Doubt, Enter the 36 Chambers, Resurrection, Liquid Swords, etc have stood the test of time. Nobody is going to see Young MC perform Stone Cold Rhymin in its entirety at a festival but Nas literally makes MILLIONS performing Illmatic at festivals around the world everytime its anniversary pops up.
There’s a REASON why Stoute sought out Nas and basically begged to represent him after Illmatic supposedly “flopped” and thats because Nas’s skills, not just his image, were marketable. Stoute helped Nas embrace becoming a better songwriter, but It Was Written is arguably MORE lyrically proficient than Illmatic. Jay dumbed down his content to double his dollars he performed a sold out B-Sides concert full non-singles and deep album cuts that his fans love to this day. Common won an Oscar writing a lyrical song about hope and determination amongst the backdrop of the civil rights movement. RZA is scoring ballets. Lupe Fiasco went platinum off a concept album. Guru was touring the whole of Europe with his Jazzmatazz series. Kendrick Lamar won a pulitzer prize and went on one of the highest grossing tours by an artist ever performing an album that explored themes of sex addiction, domestic violence, incest, and child abuse.
Hip Hop as lyricism and as “art” does and can indeed sell. You just can’t sacrifice the listening experience, which includes production, for the lyrics. They have to work in harmony.
Stoute would do well to talk about the full picture and how he can and has helped artists step back and see that picture instead of just erroneously pushing this narrative that all nikkas want to do is dance.