The Devil's Advocate
Call me Dad
I'm crying at the reviewer who called the movie complicit wiith white supremacy and now vietnamese reviewers are calling an excellent take on the war
I thought it was great movie with really really good references to the time period . (except for the fact that the marvin gaye song they used was made after martin luther king but I only know that because Marvin my favorite artist of all time, so it's whatever) I think it gets bogged down by 2 things, neither of which are Spike's fault
The biggest problem I believe was the plot the movie was adapted from the main characters were suppose to be morally ambigious cacs. So, the movie could pivot more towards the greyness of the war and the shyt that American did (Agent Orange and whatnot) . In Da 5 Bloods, the characters have really good reasons to want that gold.
the second problem was netflix screwing the hell out of Spike Lee. This shyt was too much to be not a series. It was missing black women and character development. There's too much going on in Black America in the late 60s early 70s to have a good take that short. A series would have been perfect. I wish there a way for them delve more deeper into the shyt that happened before the war to affect theses characters as well. I don't remember when they deployed but using the first few episode to delve into the watts riot, the birmingham church bombing, and the multitude of fukked up shyt going on at that time would have helped set the tone for the series. I would like to see a longer pull from the speeches he pulled from during the movie, instead of the brief interlude he was forced to use for time. I (personally, I also would have liked to see muhammad ali referenced a lot more, which they could have done with more time and a bigger budget). I just feel the late 60s had a lot fukked up shyt going on and (seeing how cacs didn't know of black wall street) would have been a decent way to illuminate them.
Netflix didn't screw anyone.. Nobody was thinking about a series
The film was originally titled The Last Tour, and it was written by Danny Bilson and Paul De Meo; it was about four aging white vets who were heading back to Vietnam. Oliver Stone was attached to direct at one point but moved on. Producer Lloyd Levin read in an interview that Lee's favorite film is The Treasure of the Sierra Madre (1948), and thought Lee would appreciate the similar elements in The Last Tour. Lee liked the premise, and he and his co-writer, Kevin Willmott, rewrote the script for to make it about black soldiers.