Mu fukkas have internet and can complain about wrestling on message boards; writing paragraphs of shyt that takes 5 minutes, but can’t type in “ricochet will Ospreay” on Google and get results in less than 30 seconds.
This ain’t the 90s where you had to wait weeks to get a “best of” tape that explains things for ya.
an inherent tenant of writing is to tell the story you want to tell with the necessary information provided. You do not necessitate someone to go and do outside research to be able to understand a story you are telling to cover for your own refusal to do the groundwork.
Khan is writing this show. The show is not organically booking itself because wrestlers go to a GM backstage of their own volition and grab matches. The show is predetermined. If there's gaps in the narrative, that's the fault of the person telling the story, not the viewer of the story.
You don't go to a movie and have them go 'oh, you didn't do your googles on why the protagonist has a long-standing issue with the villain? boooo'. You can have situations where those who know get extra out of it. But you have to do the basic foundational work, or you are doing a bad job as a writer.
That's the problem. Khan is doing a bad job of telling the story he's attempting to tell, and is trying to shortcut it using past history that had nothing to do with him or his company. It's bad writing. Period. My old editor woulda laughed that bullshyt clean up out of her office.
Sure. It's his right to do it that way. More power to him.
But then you have to accept the reality that he is literally not looking to grow the company. Because this is not how you create growth and a new fanbase. This is how you freeze out new viewers who feel like they aren't part of the 'club', and end up with only your hyperfixated cult following and nothing else. This is how you book yourself into being a niche.
his money to do with as he wants
but from a technical storytelling perspective, this is Freshman Creative Writing class tier mistakes.
I'm not saying he can't do it. But I can say with 1000% certainty that it's the wrong way to tell a story. Because while not some sensation of the literary world, I have had writing published multiple times, and this shyt right here wouldn't have made it past a first drafting phase without getting so marked up in red the manuscript would be able to claim Piru.
Khan is writing this show. The show is not organically booking itself because wrestlers go to a GM backstage of their own volition and grab matches. The show is predetermined. If there's gaps in the narrative, that's the fault of the person telling the story, not the viewer of the story.
You don't go to a movie and have them go 'oh, you didn't do your googles on why the protagonist has a long-standing issue with the villain? boooo'. You can have situations where those who know get extra out of it. But you have to do the basic foundational work, or you are doing a bad job as a writer.
That's the problem. Khan is doing a bad job of telling the story he's attempting to tell, and is trying to shortcut it using past history that had nothing to do with him or his company. It's bad writing. Period. My old editor woulda laughed that bullshyt clean up out of her office.
Sure. It's his right to do it that way. More power to him.
But then you have to accept the reality that he is literally not looking to grow the company. Because this is not how you create growth and a new fanbase. This is how you freeze out new viewers who feel like they aren't part of the 'club', and end up with only your hyperfixated cult following and nothing else. This is how you book yourself into being a niche.
his money to do with as he wants
but from a technical storytelling perspective, this is Freshman Creative Writing class tier mistakes.
I'm not saying he can't do it. But I can say with 1000% certainty that it's the wrong way to tell a story. Because while not some sensation of the literary world, I have had writing published multiple times, and this shyt right here wouldn't have made it past a first drafting phase without getting so marked up in red the manuscript would be able to claim Piru.
sub-two minutes for this though so at least I didn't use the full 5
), but each season went from a wholesome family in the hood, to JJ's wacky life and times in the hood. So many questions like why James left his fukking family to go to a job instead of taking his entire family with him, why JJ making big bucks with AD agencies but still in the projects, and WHY FLORIDA LEFT THE FAMILY FOR ARIZONA TO BE WITH ANOTHER MAN, AND COME BACK TO BE A fukkING BUS DRIVER 
!?!
