actually southern usa cacs love OG soul music. That's why many of them southern cacs in the country world of music can easily switch into southern soul/blues/gospel music when they want
it's the white rock-metal heads (not the ones from the 1960's/70s) that hate it
we already know british whites are obsessed with r&B/soul music
Some of y'all are half-right...
the "CACs" y'all speak of that don't know or care about R&B... are particularly white men.
White women (especially those around our age group) have been on R&B music forever. Matter fact, they care for the R&B shyt way more than they do hip-hop. And if they came up in the 90s, they know all that shyt. I've known some white chicks who know their shyt, it's far less common to know a white dude who knows it. Them dudes usually went straight from rock music to hip-hop as teenagers. One year they were on Pearl Jam, next year they were on Ice Cube. The girls on the other hand were probably listening to pop music and then transitioned into R&B (with Michael, Janet, and Whitney usually being the gateway) .
You're right hella RnB acts do tours in Europe and Oceania performing in front of a white female crowd.
Believe it or not quite a few. I use to work with a few engineers at Shell Oil and they were the most straight laced white guys I ever seen on the surface until I walked into their offices and they playing nothing but funk and soul. shyt straight up had me confused. Asked them what he knew about this type of music and they straight up had full blown convos and they knew their shyt. Had pics with the Isley Brothers, Atlantic Starr, Bootsy Collins, and George Clinton. Went to concerts and everything. I'm not saying a lot of white people aren't vultures but there are some that genuinely appreciate the music and respect the artists. I mean one of the coldest white boys ever have some of the smoothest songs. Blue-eyed soul singers and fans do exist.
White people being true fans of r&b soul are really anomalies, so bringing up examples are pointless.
More than that, these are the prime examples of people that enjoy black culture, but want nothing to do with black people, so they still end up being vultures of culture. People that feed and nurture themselves off of the products of the black experience are plenty. You can go all over the world and find people that indulge in black art, black music, black literature and turn the other cheek when it comes to the societal ills we face, while simultaneously finding joy and pleasure in the end products that came out of those injustices.
A vulture is a animal that feeds off of weakened or dead animals to feed and nourish themselves.
Black art came from many black artists who, for the most part, were brought up in poverty and/or injustice, yet still found a way to create beautiful things, despite getting the short end of the stick. This is especially true in America. We come from communities that have been intentionally weakened and continually destroyed.
The trail of black pain, black blood and black bodies that have accumulated in this country, which creates the canvas for artists to paint the pictures that stir the soul for a 5 minute song is unfathomable...
So when you post these anomalies of white or non black people "truly appreciating" black music, it's mostly hollow. They can enjoy it one dimensionally for the melodies, harmonies, lyrics and syncopation, but for us, it's more than music....it's the entire experience we've gone through...somehow made beautiful. For a few moments we can live our truth, good bad and ugly, and let the music allow us to celebrate it all. That's why it is a culture. Corporations have monetized it and packaged it for all to consume, but for the people that understand it from a level of day to day functionality ingrained in our way of life, the songs are our hope and validation.
Hip Hop Culture is for us and by us, despite who else has been allowed to participate via massive funding and manipulation. Do not confuse participation and enjoyment as belonging because you'll allow vultures to continue blurring the lines and distorting what a culture really is and what it means for those of us who've paid in blood to bring this to the world. The reason so many people are relating to this thread isn't because i'm "right", it's because their own history and experiences validated my statements. Almost everyone in here is African American or black. It's not just the music, it's the entire upbringing from birth to middle school to high school and now as an adult...all the way up until you're old. Every family reunion, dice/spades/domino game, kickback, late night ride in the whip (and getting pulled over), cookout, Saturdays and sundays in the crib and on and on made this shyt....and nobody but us knows how it plays but us.
So, as much as I see everyone in here reminiscing, this isn't about r&b or hip hop as a standalone genre, it's about how it relates to a group of people's entire lives vs how another group of people use it as a momentary pleasure, while ignoring the lives of the people that create what they are so fanatical about. They're fanatical about the good time it gives them but in all
reality, don't give a fukk about the bodies that keep mounting. A vulture needs corpses to feed themselves, and on a subconscious level, these b*stards understand how much stress and pain need to be squeezed out of us to create the musical ambrosia they feed on. Our music is the sweetest, finest, most potent nectar of the gods...or god's people...but how many of us have to be crushed to extract a drop?
A culture vulture doesn't care, so don't make excuses for them in any way shape or form...they come in many, so please, make sure you some correct.
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