fukkyalifestyle
Superstar
Tarantino prob does give a fukk about box offices at this point and really just made the movie he wanted to make. He probably has 2 films left in him so he'll probably go out doing whatever he wants.
Once Upon A Time In Hollywood (Official Thread)
- Thread starter Yoda
- Start date
C/S about Django.
Also about this film benefitting from some trimming. He probably could have shaved a good 15 minutes just by eliminating some of the driving scenes and Sharon Tate’s random travels.
Lord_Chief_Rocka
Superstar
That shyt was dope though
Definition of average. That reporter wasn't lying when she asked him about Margot having nothing to do in this film.
Just a whole lot of meh and 0 memorable dialogue.
Just a whole lot of meh and 0 memorable dialogue.
The most memorable scenes were the disgusting feet scenes, 
Quentin Tarantino's 'Once Upon a Time in Hollywood' Nears $200M Globally
1:14 PM PDT 8/18/2019 by Pamela McClintock
The movie — which has finally begun rolling out overseas — could end up nearly matching or even surpassing the filmmaker's biggest film to date, 'Django Unchained.'
Quentin Tarantino's Once Upon a Time in Hollywood is headed for a fairy tale ending at the worldwide box office.
The movie — affirming the filmmaker's enduring popularity, as well as the star power of Leonardo DiCaprio and Brad Pitt — will likely end up being the second-biggest movie of Tarantino's career behind Django Unchained at the worldwide box office, not adjusted for inflation. There's also a chance it could overtake Django.
However, most box office analysts predict that Once Upon a Time will ultimately earn between $375 million and $400 million globally, surpassing Pulp Fiction ($212 million) and Inglourious Basterds($316.9 million). Through Sunday, its worldwide cume stood at $180.2 million — and it's only just begun its overseas rollout.
"The movie is arguably the most accessible and entertaining of all of Tarantino's films and given its collective star power, great marketing campaign and generally great reviews, it should be no surprise that the film has become a global breakout hit," says Paul Dergarabedian of Comscore. "And Once Upon a Time in Hollywood certainly has the potential to become the highest-grossing Tarantino movie ever."
Tarantino's Django Unchained, also starring DiCaprio and released over the Christmas holidays in 2012, grossed $162.8 million domestically and $262.6 million overseas for a career-best global haul of $425.4 million.
Once Upon a Time transformed into an instant success story in North America late last month upon launching to $41.1 million on its way to earning a stellar $114.3 million to date (it is the only original summer tentpole to cross the century mark domestically).
How Once Upon a Time would fare overseas wasn't clear until this weekend, when it finally rolled out in earnest. The pic topped the international chart with $53.7 million from 46 markets for an early foreign total of $66.2 million (it launched in Russia and two small markets a week ago).
According to Sony, Once Upon a Time opened notably ahead of Django — by 30 percent — in those foreign markets where it has landed, a promising sign. It also debuted ahead of The Wolf of Wall Street and on par with The Revenant, both starring DiCaprio.
Once Upon a Time placed No. 1 in 28 markets. The U.K. turned in a five-day total of $8.9 million, while France launched with $6.9 million, followed by Germany ($5.6 million) and Australia ($4.4 million).
Tarantino's film continues to hold well in Russia, where it opened to a career-best $7.7 million last weekend. Total ticket sales there have grown to $13.3 million, while Hong Kong and Taiwan have turned in $1.2 million and $1.1 million, respectively.
Major market yet to open include Mexico (Friday), Japan (Aug. 30), Italy (Sept. 18) and South Korea (Sept. 26). There's no word yet on a China release date. China's Bona Film Group co-financed Once Upon a Time in Hollywood and is handling distribution duties in such Asian markets as Hong Kong
1:14 PM PDT 8/18/2019 by Pamela McClintock
The movie — which has finally begun rolling out overseas — could end up nearly matching or even surpassing the filmmaker's biggest film to date, 'Django Unchained.'
Quentin Tarantino's Once Upon a Time in Hollywood is headed for a fairy tale ending at the worldwide box office.
The movie — affirming the filmmaker's enduring popularity, as well as the star power of Leonardo DiCaprio and Brad Pitt — will likely end up being the second-biggest movie of Tarantino's career behind Django Unchained at the worldwide box office, not adjusted for inflation. There's also a chance it could overtake Django.
However, most box office analysts predict that Once Upon a Time will ultimately earn between $375 million and $400 million globally, surpassing Pulp Fiction ($212 million) and Inglourious Basterds($316.9 million). Through Sunday, its worldwide cume stood at $180.2 million — and it's only just begun its overseas rollout.
"The movie is arguably the most accessible and entertaining of all of Tarantino's films and given its collective star power, great marketing campaign and generally great reviews, it should be no surprise that the film has become a global breakout hit," says Paul Dergarabedian of Comscore. "And Once Upon a Time in Hollywood certainly has the potential to become the highest-grossing Tarantino movie ever."
Tarantino's Django Unchained, also starring DiCaprio and released over the Christmas holidays in 2012, grossed $162.8 million domestically and $262.6 million overseas for a career-best global haul of $425.4 million.
Once Upon a Time transformed into an instant success story in North America late last month upon launching to $41.1 million on its way to earning a stellar $114.3 million to date (it is the only original summer tentpole to cross the century mark domestically).
How Once Upon a Time would fare overseas wasn't clear until this weekend, when it finally rolled out in earnest. The pic topped the international chart with $53.7 million from 46 markets for an early foreign total of $66.2 million (it launched in Russia and two small markets a week ago).
According to Sony, Once Upon a Time opened notably ahead of Django — by 30 percent — in those foreign markets where it has landed, a promising sign. It also debuted ahead of The Wolf of Wall Street and on par with The Revenant, both starring DiCaprio.
Once Upon a Time placed No. 1 in 28 markets. The U.K. turned in a five-day total of $8.9 million, while France launched with $6.9 million, followed by Germany ($5.6 million) and Australia ($4.4 million).
Tarantino's film continues to hold well in Russia, where it opened to a career-best $7.7 million last weekend. Total ticket sales there have grown to $13.3 million, while Hong Kong and Taiwan have turned in $1.2 million and $1.1 million, respectively.
Major market yet to open include Mexico (Friday), Japan (Aug. 30), Italy (Sept. 18) and South Korea (Sept. 26). There's no word yet on a China release date. China's Bona Film Group co-financed Once Upon a Time in Hollywood and is handling distribution duties in such Asian markets as Hong Kong
Even Gene Lebell, the guy Brad Pitt was supposed to be emulating called it bullshyt
Debunking Quentin Tarantino's 'Mockery' of Bruce Lee
Debunking Quentin Tarantino's 'Mockery' of Bruce Lee
O³ (O cubed)
No more PAWGs, PLEASE??!!!??
Just got out watching this film. It is shyt.
It wasn't so much the length or the pacing as the flow of the movie. I really liked it, and I have no problem with the overindulgence in long, seemingly pointless scenes. Since, as far as I interpreted it, the purpose of the seemingly aimless first two acts is to set up the third one. Tarantino is basically lulling the audience in. You're sitting there, wondering what the hell this is all about and then BOOM the violent third act almost feels like a slap in the face and releases a tension that you almost didn't realize was there.
But the whole time while watching the movie I thought that something was off about the editing. I can't really put my finger on it, and I might have to watch the movie again, to better understand what it was, but the editing was definitely subpar compared to Tarantinos other movies.
blankstairz
Superstar
I don't think it's Menke. It's Tarantino's writing.
His movies have always been excessive and fat. At times pedestrian because it's less action and more dialogue driven.
Kill Bill was 2 volumes because it was too long as one movie.
She was the editor for Death Proof. The Grindhouse version was slow and needed trimming.
Pulp, Inglorious, Django, had enough story to them, that people didn't care about the lengths and pacing.
Death Proof and Once Upon a Time...not so much.
At least Once Upon a Time had great performances by Leo and Brad to help carry the movie.
