Saw it last night it was alright to me. The gun play violence kind of reminded me of Replacement Killers. I would be up for a sequel if one came out for it.
I DIDN'T UNDERSTAND those sonic coins but it was a good movie.
Although to kill people over a car and a dawggie is a big ass reach IMO
Breh, you do realize it had nothing to do with the dog as much as it was more about what the dog represents. He said it in the movie: the dog represented his chance to not mourn his wife by himself. Dude was broken and that dog was a last gift from his wife and he didn't have to feel so lonely and felt like there could be a part of his wife left for him to grow with
i get that, but at the end he breaks into the kennel and steals another one.
I thought they would've killed his wife, even though it's cliche as hell it makes sense to me.
Also he got the brotha murked he could'ce atleast been informed and been sorry for what he did.
Dude was like, "I'll leave you to it"That scene in the beginning with the cop responding to a "noise complaint"
Spot on...especially with respect to the fight scenes. I thought I was the only one who couldn't stand how you never truly see what is actually going on between combatants in most of these action flicks. Plus like you said, it's wasn't entirely "pretty" in the sense of a choreographed fight, (i.e. the struggle to kill the last assassin in John's house with the knife) that sense of a real scuffle occurring was entertaining to see.It was good but it wasn't that good. I felt at times they should've sat at the table and took a more critical look at the screenplay. It does a lot of stuff I loved (the intricacies of the criminal underworld, the reactions to John Wick re-entering that scene) and it kept exposition to a minimum. The friendship between John and Marcus being caught in the simple moment that he's the only one who showed up at his wife's funeral, and the value of the coins is never explained but you understand their importance because every party/group uses them as currency.
On the other hand you've got a three act movie that quite unnecessarily has a fourth act so it can go through a checklist of characters who still have to die before the movie can end, and absolutely zero development on John and his dog. They cared so little about that shyt they killed the damn dog off before he even got to give him a name.
What really caught me by surprise though, even more so than it already did in the trailer, is how well the action was shot. Nowadays I'm already happy when there's no shaky cam/quick cut bullshyt fukking up my action, but the action scenes were really thought out. The assault on John's house has some of the best action cinematography I've seen in a while, like the absolute refusal to cut in a one-on-one fight. John was wrestling dudes down for 30 seconds trying to get the upperhand and every time it felt like an actual struggle of two trained killers.
So while it's not perfect, I do think it ended up a perfect vehicle for all parties involved. You have a former stuntman/first time director and B-movie writer who got more props than a lot of established film makers, and allowed Reeves to have a simple but super effective comeback from megaflop 47 Ronin.
i get that, but at the end he breaks into the kennel and steals another one.
I thought they would've killed his wife, even though it's cliche as hell it makes sense to me.
Also he got the brotha murked he could'ce atleast been informed and been sorry for what he did.