Someone mind explaining the "artistic significane" of the main character dying and that weak ass ending.
Its a movie...
they're allowed to make changes.
didnt they have to stay true to the book?
if he died in the book why would they change that?
It's trying to tell you that the good guys don't always win, and death is not something that is dramatic but something that is instant, final and at times unglamorous and undignified.
Its a movie...
they're allowed to make changes.
You could have still gotten that same message across by actually showing the scene. There is no viable reason (artistic or otherwise) why it was a good idea to go from him standing at a pool and the next to showing his corpse in a motel room.
They could have just filmed something like THIS and it would have worked better than how the COen's ended the Llewellyn storyline.
Yes, that's exactly the point.I didn't say it had to be jsut like that, I said they should have shot something (anything) that showed what happened.
And you could have still gotten across the idea of how pointless it all was by showing it happening. And exactly why is it so important to get the pointlessness of it across? This movie is not some ultra realistic film. Sigur was damn near a cartoon. The earlier gun battles were not shot as true to life but had the same Hollywood sheen to them that most other movie shoot outs have.
The alarming amount of dudes on this forum who seem to get some thrill out of a false sense of pseudo-intellectualism based on their co-signing odd narrative decisions in movies is just crazy.
And it is not a case of needing to be spoonfed as much as it is a case of preferring to have actually viewing the climactic scene of the character that up to that point had been the focus of a movie instead of only seeing the aftermath. You can't tell me that you wouldn't have preferred to actually see Llewellyn's final scenes.
No because those are different movies It's ridiculous to want or expect every movie to follow the same routine, but that's clearly what you'd prefer. That's why you're mad at the Cohens for NCFOM. It was not a typical cat and mouse/revenge/crazy serial killer movie. It was the Cohens' take on that genre, based on a story by Cormac McCarthy. Neither of them is known for doing things the usual paint-by-numbers way.I guess you would have been cool with George Lucas just skipping the whole Luke vs Vader scene at the end of Empire Strikes Back because you don't need to be spoonfed.
Or the entire shoot-out in Scarface could have been skipped and instead the cops could have just shown up to find Tony's dead body because actually seeing the events unfold would have been too easy for you as a sophisticated moviegoer?
The alarming amount of dudes on this forum who seem to get some thrill out of a false sense of pseudo-intellectualism based on their co-signing odd narrative decisions in movies is just crazy.
And it is not a case of needing to be spoonfed as much as it is a case of preferring to have actually viewing the climactic scene of the character that up to that point had been the focus of a movie instead of only seeing the aftermath. You can't tell me that you wouldn't have preferred to actually see Llewellyn's final scenes.
I guess you would have been cool with George Lucas just skipping the whole Luke vs Vader scene at the end of Empire Strikes Back because you don't need to be spoonfed.
Or the entire shoot-out in Scarface could have been skipped and instead the cops could have just shown up to find Tony's dead body because actually seeing the events unfold would have been too easy for you as a sophisticated moviegoer?