“Hit-Boy on the beat, this shyt ‘posed to slap”
Every fukking time. 4-peat! KD3 is the latest and maybe the greatest of the four–woooooooweeeee this muthafukka is dope sonically! It rides all the way through and don’t let up.
It feels urgent, big, and epic at moments. Elsewhere, more nostalgic and laid back. Funky on Recession Proof. Lot of different flavors.
Love all the beat switches. The layering. The different tempos. The moods. The little things to keep it interesting. Never gets dull or stale.
Gives Nas a versatile and diverse soundscape. An audiobook that allows author Nas to really shine, showcasing some of my favorite versions of Nas: street Nas, conscious Nas, nostalgic Nas, braggadocious Nas, wise Nas, caring Nas, creative Nas, funny Nas. Man, you can tell Nas feels comfortable and confident with all the different flows and topics he’s exploring. Just seems like he’s having fun.
Salute to Hit-Boy. I’ve enjoyed his production across all of these albums. I honestly couldn’t say he was really on my radar before KD1. I had absolutely heard some of his songs but I hadn’t really connected with him on that level where I knew who he was and was taking notice of what he was doing. Son is dope. He been giving Nas heat.
I think what I appreciate most about him is that you can tell he cares and is committed to tailoring shyt for Nas and for putting Nas in a position to do what Nas does best and I think that allows Nas to stretch and flex over different sounds and energy. Nas has sounded inspired and invigorated throughout all of this and I think the production from Hit-Boy is a big reason. They’re chemistry has been on display and growing with each project. Building on each others’ legacies, these brothers have been amazing. In KD3, for Hit-Boy to go dolo on all the beats and for Nas to go dolo on all the raps—incredible shyt. Honestly, I’m in awe. Clap for them.