I feel like a lot of people are severely mischaracterizing the place a lot of these critiques are coming from and projecting shyt onto it. It's really just as simple as some folks not all the way fukking with Hit-Boy's production for any number of reasons and spitballing producers they feel would work better. People can shout til the cows come home about how much Hit has inspired Nas and so on and so forth but at the end of the day we're all just giving our reactions to the music we're hearing.
So Nas hasn't been able to find the inspiration to lock down and put out albums until Hit-Boy came into the picture? Cool. Awesome...but what the fukk is wrong with saying you'd want Nas to give other producers a chance, too? Go in with somebody else and see what comes from that? That goes back to what I was saying about some of y'all treating Nas like he's either infallible or feeling the need to defend every artistic choice he makes like you're throwing yourself onto a grenade.
And
@Ziggiy, you keep saying people are asserting their opinions as facts? The fukk you want nikkas to do - qualify every single opinion with "IN MY OPINION?" It's a given that when people are saying who they'd rather hear Nas rap on that it's their opinion, they shouldn't have to qualify that for the sake of somebody's feelings - I say that as somebody who used to struggle to recognize that as well. And ironically, the "facts" that you claim you're citing as evidence for why Hit-Boy is the better choice and why folks should keep their opinions to themselves - Metacritic scores, sales (sales that aren't very strong anyway), Grammy awards (honors that we're all quick to disregard when they don't match up with our opinions anyway, I might add) - are in themselves, OPINIONS! Subjective evaluations that themselves may include biases and other influences.
Like the real root of all this is that some folks just don't dig Hit-Boy's production, whether they think it's sterile, poorly mixed, etc. and so they wish they could hear Nas over somebody who they feel meets their standards. And whether that's Alchemist, or Metro Boomin, or some "trapped in the 90s" producer (let's retire that fukking phrase please), or some random nikka they listen to on soundcloud, that's ultimately the place it's coming from.