Texasboy281
Pro
Inside(2007). That ending tho 
Most Disturbing Movie You've Ever Seen
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How could I forget
30 days of night was some scary ass shyt.
Alaska where there is nobody and it's hard to survive.
Vampires meticulously planning on having a fukking feast while it's nothing but darkness for 30 days straight.
All of the NOPE.
30 days of night was some scary ass shyt.
Alaska where there is nobody and it's hard to survive.
Vampires meticulously planning on having a fukking feast while it's nothing but darkness for 30 days straight.
All of the NOPE.
hickorysmoked1
Rookie
The Exorcism of Emily Rose was the scariest movie I've ever seen. Literally couldn't sleep more than 3 hours per night for a week straight and I still feel a little creeped out if i wake up around 3 AM.
The actress that plays Emily Rose is talented as hell
The actress that plays Emily Rose is talented as hell
Bumblebreh
Collecting honey and money
good shoutouts.There is a breh on youtube who does a break down of disturbing movies
Majestyx
Duck Season
irreversible
seven
towelhead
gummo
seven
towelhead
gummo
this was really solid. that scene where her boyfriend wakes to find her all contorted on the floor fukked me up
It's a slow burn type of movie. Not a collection of jump scares like most modern horror movies. Some key dialogue just in the first few scenes
Arlington Road doesn't have the visual shock factor or horror porn of a lot of the stuff getting named, but when I saw it I was mad shook.
Gotta spoiler what happens because it's all straight twists up until the very end.
Gotta spoiler what happens because it's all straight twists up until the very end.
It's a 1990s movie with this widowed professor guy (wife was an FBI agent who died in the line of duty) who has these new neighbors move in, who seem all nice and shyt, have a son who plays with his son, etc. The boys even join a boy scout troop together. But through little hints and holes in their story the professor begins to think that his neighbors might be right-wing terrorists plotting some major attack. It's all circumstantial shyt though, no hard evidence. He tells some FBI friends of his, but they run the guy's record and history and find nothing at all. Plus he isn't fully convinced, he isn't sure what is really a warning sign and what is his own paranoia. His FBI friends tell him that he's still mourning his wife's death (which he partially blames the FBI for) and that's making him on edge.
The professor confides in his girlfriend, who picks up some of his paranoia, then one day his girlfriend witnesses the neighbors doing something with a delivery truck that convinces her they really are terrorists. The next day the girlfriend dies in a car crash. Professor is totally fukked up by her death and is concerned as hell that it might not have been a true accident.
Professor dude finds out that his neighbors had moved from a city where there had been a terrorist attack on the federal building and a bunch of people including 10 kids had died. He visits the father of the supposed terrorist that committed the attack and the guy is absolutely certain that his son was set up by someone. Professor sees a picture in the house of the man's son hanging with the same neighbors and freaks out and rushes home.
His own kid was on a boy scout trip at the time, but when he rushes to get him he finds out that the neighbors already picked him up. He flips out and hightails it to the neighbor house, where the neighbor straight admits that he killed the man's girlfriend. Then he beats the shyt out of him and tells him that it's too late to stop him, the plot is already in motion, and he threatens to kill the man's son if he tells anyone.
The professor rushes to the FBI building to warn them and sees a delivery truck like the one his girlfriend saw entering the secure parking garage. He illegally rushes into the garage, bypassing security and setting off the alarms. When he catches up to the truck though, it's empty. He rushes back to his own car, opens the trunk and sees a huge bomb had been planted in his own trunk. Bomb goes off and the FBI headquarters is partly blown up.
Neighbor just watching it all from a distance.
The movie ends with news clips showing that everyone thinks the professor was a lone wolf terrorist getting back at the FBI for his wife's death. His orphaned son goes off to live with relatives, still good friends with the neighbors and believing to the end that his dad died a terrorist.
The professor confides in his girlfriend, who picks up some of his paranoia, then one day his girlfriend witnesses the neighbors doing something with a delivery truck that convinces her they really are terrorists. The next day the girlfriend dies in a car crash. Professor is totally fukked up by her death and is concerned as hell that it might not have been a true accident.
Professor dude finds out that his neighbors had moved from a city where there had been a terrorist attack on the federal building and a bunch of people including 10 kids had died. He visits the father of the supposed terrorist that committed the attack and the guy is absolutely certain that his son was set up by someone. Professor sees a picture in the house of the man's son hanging with the same neighbors and freaks out and rushes home.
His own kid was on a boy scout trip at the time, but when he rushes to get him he finds out that the neighbors already picked him up. He flips out and hightails it to the neighbor house, where the neighbor straight admits that he killed the man's girlfriend. Then he beats the shyt out of him and tells him that it's too late to stop him, the plot is already in motion, and he threatens to kill the man's son if he tells anyone.
The professor rushes to the FBI building to warn them and sees a delivery truck like the one his girlfriend saw entering the secure parking garage. He illegally rushes into the garage, bypassing security and setting off the alarms. When he catches up to the truck though, it's empty. He rushes back to his own car, opens the trunk and sees a huge bomb had been planted in his own trunk. Bomb goes off and the FBI headquarters is partly blown up.
Neighbor just watching it all from a distance.
The movie ends with news clips showing that everyone thinks the professor was a lone wolf terrorist getting back at the FBI for his wife's death. His orphaned son goes off to live with relatives, still good friends with the neighbors and believing to the end that his dad died a terrorist.
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Children Of The Corn
The Exorcist (1973)
The Evil Dead
Cannibal Holocaust
Faces of Death
The Last House On The Left
Texas Chain Saw Massacre (1974)
Visiting Hours
The Exorcist (1973)
The Evil Dead
Cannibal Holocaust
Faces of Death
The Last House On The Left
Texas Chain Saw Massacre (1974)
Visiting Hours
Thatrogueassdiaz
We're on the blood path now
Y'all know the hereditary director is coming out with a new movie this year?
Midsommar
Enjoy
I was talking to a patient about hereditary not too long ago, and during our conversation I had the realization that cult movies disturb me more than subgenre horror film. Rosemary's baby and hereditary both disturb the fukk out of me. See, good horror itself doesnt scare me, but it disturbs me; and that's the feeling I usually enjoy the most watching a horror film.
The possession scenes in hereditary did not scare me. They were certainly disturbing but not the most disturbing thing about the film. The most disturbing scenes for me all involved the cult: the chick yelling incantations across the street at Peter and Peter confused about who she's yelling at, the random woman waving to the sister from the parking lot, the naked man staring at Peter just before his mom provides the jump scare, the initial seance with the random lady from the group, the ringing of the bell and the 3 cult members standing in the attic after the beheading, and at the very end when the woman yells the initial "HAIL PAIMON!". All those scenes disturbed me the most. I think what makes these scenes disturbing is the juxtaposition of evil and sincerity. The cult members all come off as warm, inviting, harmless, persistent Caucasian people, but beneath it they are sinister, evil people preying on the family. In the film we see the cult prey on the family like predators do in the wild. They're ubiquitous and extraordinarily invasive and intrusive to the point where they literally circle Peter and finally are able to capture their prey. The director provides no tension relief to the audience, nothing is revealed, the family is unable to thwart the advances, and there's no true altercation to halt or prevent the event from happening. As the audience, we just have to watch the venom slowly paralyze the family before being devoured. The director does a good job keeping the threat insular: there's no call for help, no one intervenes, there is no savior. Most other movies make the mistake of involving an outside party, especially of any particular large agency (police, psychics, doctors, etc) which takes the focus from the horror to the outside world. Great horror films are able to keep the focus so narrow and so close and the world so singular that nothing else exists outside of the horror taking place between the threat and the protagonists. It almost gives the feeling of claustrophobia, or even the overwhelming sensation of drowning--swallowed, overcomed, restrained and submitted. A good example of this is The Thing. No outside agency exists and the predator and prey are locked in a cage and must fight for survival. It's extremely insular and lacks relief.
Rose Mary's baby is a disturbing cult film that's similar, but what is does is makes it so that the predator/antagonist uses deceit and trickery to move the horror forward. There's also a momentary event of relief where we think the doctor is going to save her, but he's in on it. I prefer hereditary's way of moving the horror forward using stealth, control, power and exposure: the family is being invaded but the Invaders are only half known, not fully known, and they do not communicate directly, but indirectly; much, much secrecy of the threat (hereditary) rather than secrecy of the motive (Rosemary's baby). Hey, another example of hereditary's style from the movie "The Witch". Same thing--the family is being invaded, no outside help, surrounded, indirect communication of the threat. One by one each member is picked off until the Witches get their prey (Thomasin) and the motive is carried out (she becomes one of them). It's the same exact scenario, where the main focus is on one character who must join the invading species and there is absolutely no choice left to make but become part of them.
Anyways, as someone already mentioned the director is releasing his new film Midsommar this July. That shyt looks 10x more intense than Hereditary. It features supernatural human events from the cult, which we didn't see in the last film.
Took y'all long enough. He wasn't murdered because of this movie tho.
I haven't watched this movie but this breh on YouTube, spookyrice, does horror and disturbing movie reviews. He says this movie is more disturbing than a Serbian film. I'm just gonna take his word for it.The 120 Days of Sodom
The book is easily more abhorrent than the film. I watched it as a youngin during the whole "shock" era. Never watched a "shocking" film again. There's no value to this one. Kidnapped 16 year olds being slapped on dog collars & fed nails, razors & feces. Male boys having "weddings" with grown men and being sodomized. Tongues cut out to end the film with soldiers dancing. No consequences whatsoever for the atrocities that were committed at the end. No retribution. The villains celebrate and go home. Its in part so disturbing because this actually happens.
