Nothing but truth. Kendrick is what Lupe was supposed to be, Lupe got too caught up and trying to be complex. His best CD is the one where he story tells the most ironicallyI used to be the biggest Lupe Fiasco fan. Seeing what he's become genuinely hurts my heartLupe was loved back then for the same reason Kendrick is loved now: there was soul and emotion flowing through his music. He Say She Say is literally the same verse twice but from different perspectives. Not the most lyrically dense track, no need to dig deeper than surface level, but real and relatable as hell. Yet Lupe could make a Theme Song to a Driveby and drop world class bars, triple entendres, while still making sure the music took prominence. After The Cool, all this nikka cared about was being lyrical for the sake of being lyrical. The lyrics stopped being a conduit for transcendent music and became an avenue for dude to show just how complex he could rhyme words together. I used to love deciphering Lu tracks because the songs were genuinely enjoyable to listen to in the first place. Now it's a just a case of deciphering it to show you got what the nikka was saying. I listened to Switch and Failure because they're dope songs and catching different similes, extended metaphors, and technical experimentation was icing on the cake. Now I'm playing dude's albums backwards under the light of a full moon because there's a hidden bar that only fans of Yu Yu Hakusho(subbed not dubbed) will get the reference to. I think I remember this guy hyping one of his upcoming songs by claiming how simple it would make one of his previous lyrical for the sake of being lyrical songs sound as opposed for how good the song was in general. You add to all of this his change in delivery, increasingly worsening ear for production, and altogether soulless music and it's crazy to think the guy you were listening to on the mixtapes thru The Cool is the same guy you're listening to after it.