i didnt want to say it in my first post, but this mental battle was masterfully done. Seeing dude "become" a slave because he wanted to "survive" (and if you remember, he mentioned this earlier in the film) was amazing.Saw the movie and have to say it's pretty damn good. I must say Fassbender did a stellar job as the plantation owner. Ejiofor carried the movie and should be up for an award. There wasn't any cookie cutter BS that sometimes comes from these types of projects. The internal mental battle of Ejiofor being free and then going through hell on the plantation was great. McQueen also did a great job with Fassbender's internal battle of being racist and at the same time drawn to one of his slaves (the duality of the situation in many ways still exists).
I was hoping to catch this today but it aint out nowhere...wtf b ...
Is this still in limited release? I couldn't even find a theater in Savannah showing it
steve mcqueen got next
what's steve's next projects>? he has talent and an eye for bringing the best out of actors..
it makes all the hysteria aroud Django look comical in retrospect. That movie is a damn comedy compared to 12 Years a Slave.
Please don't think I'm dissing you brehs cos I'm not, but these posts are hilarious.
Steve mcqueen is a genius and has produced some of the best video art ever. He hasn't 'got next' because he doesn't need 'next'. He's been getting extremely prestigious awards since the 90's. He's the only artist ever to win the venus biennale and turner prize
Steve, I wanted to begin by asking you how you came across Solomon's book, and why you decided to make this story as your next film. Had you been interested for a while?
Steve McQueen: Well, I remember doing all these meetings in Hollywood -- I've never told anyone this -- I did these meetings in Hollywood, after Hunger came out, and I got the impression, walking into the room, that people were surprised that I was black. So that was interesting, going to these meetings, because I imagine they thought I was an Irish guy, or white, or whatever, and I think that was sort of interesting. It was curious. But I think it started even before that, just thinking about slavery, and I thought "You know what -- that could be interesting, to make a film about slavery," and again, it's just once of those things where it's this massive hole in the canon of film. I thought, "This is a very interesting subject." It's sort of ridiculous to call it "interesting" -- of course, I have roots in slave history -- but I thought it could be very interesting to investigate. [...]
When you say you came to Hollywood, were you being offered certain kinds of scripts to direct?
No, I just think people were interested in finding out who I was. I think I was just being interviewed as one of the new filmmakers. That's what they do, obviously, with the new filmmakers -- try to figure out who they are and what they want to do.