Complete disregard for facts, research, history, March 5, 2012
By
Hajnal's Secret Admirer in the Regenstein (Chicago, IL) -
See all my reviews
This review is from: Hidden Colors: The Untold History Of People Of Aboriginal,Moor,and African Descent (DVD)
I was motivated to post this review as a response to all the five-star reviews and the incredibly negative reaction received by "Jim from Oaktown" for his spot on criticism of this "documentary" (which included a comment that could be, disturbing enough, perceived as a physical threat). I was given the DVD by my roommate, who was exuberant enough after an initial viewing that he wanted to watch it again and receive my opinion, as someone who has actually received training in the discipline of history.
The problem that Jim from Oaktown pointed out, a casual disregard of facts, certainly exists (the examples he pointed out were the attribution of the etymology of 'Africa' to Scipio's agnomen, and the claim of a conspiracy by the Vatican to distort The findings of Egyptology). If he had made it as far along the film as I, he would have noticed many more ridiculous claims, such as: the first samurai were black; Montezuma was actually Mansa Musa, a Malian emperor from a different century and continent; and that the Moors were responsible for the construction "of all the cathedrals in England." That last point was where the film finally tipped over into comedy--just before I began watching it I had in my hand an account of the construction of St. Paul's Cathedral by Christopher Wren.
Other than factual accuracies the film suffers from a crisis of identity. The "scholars" present the Moors as creators of the penultimate medieval African empire. They are considered black and Hidden Color's scholars attribute most of Europeans' achievements during this period as a result of emulation of this people.
The problem is that this ethnonym has always been an external one; at no time has an African people ever designated itself as Moor. So the cast, while decrying European-centered history, fall right into the Old World mindset of amalgamating ethnicities. They can't tell you the actual history of Africa because they don't know it, or at least don't care to tell it. At least since Braudel published his seminal work in 1949 we've considered North Africa more connected to the Mediterranean world than to sub-Saharan Africa. The people who conquered and colonized Egypt in the 7th century were Arabs. By the beginning of the early 8th century Berbers had conquered northwest Africa and proceeded to establish an Islamic state in Spain, which saw the immigration of, among other Levantine peoples, Syrians, Yemenis, and Jews. It was these peoples that early Europeans observers amalgamated into the term 'Moor.'
So a little bit of actual research has shown us that the numerous polities and people's that Hidden Colors anachronistically deemed Moor actually possessed a Levantine character. But can we still consider then somehow African? What is it to be an African? Are African and Black the same thing? Is there such a thing as an pre-modern 'African' history? Hidden Colors doesn't deal with these important issues of identity, because the cast simply doesn't know the history.
A final note: the cast makes several accusations against Western historiography, deeming it unreliable, racist, and part of some sort of ridiculous conspiracy--involving every academic, ever--to hide the "true" history of Africa from Black people as a means of preventing empowerment. This is silly. Ever since Edward Said published Orientalism in 1978, academics have made names for themselves for pouncing on what they perceive to be prejudiced or distorted views of non-European civilizations. Many of the professors populating our universities grew up during the tulmult of the sixties and inculcated some of those values--including anti-Westernism, and a distinct desire to trace out any vestiges of imperialism, cultural or otherwise. If there had ever existed some kind of secret plot to "hide" history from black people, it would have already been revealed by our last generation of actual historians.